Jazz fest signals start of festival season

Advertisement

Advertise with us

It’s been three long years.

Read this article for free:


By clicking the button above, an account will be created and you will begin to receive some of our recommended newsletters. You may opt out of any newsletter by visiting your Email and Communication Preferences page or by clicking "unsubscribe" at the bottom of any email.

or

Already have an account? Log in here »

To continue reading, please subscribe:

Digital Subscription

One year of digital access for only $1.44 a week*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles

*Billed as $5.77 plus GST every four weeks. After 52 weeks, price increases to the regular rate of $19.95 plus GST every four weeks. Offer available to new and qualified returning subscribers only. Cancel any time.

To continue reading, please subscribe:

Add Free Press access to your Brandon Sun subscription for only an additional

$1 for the first 4 weeks*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles
Start now

*Your next Brandon Sun subscription payment will increase by $1.00 and you will be charged $17.95 plus GST for four weeks. After four weeks, your payment will increase to $24.95 plus GST every four weeks.

Hey there, time traveller!
This article was published 15/06/2022 (1598 days ago), so information in it may no longer be current.

It’s been three long years.

People from all over, including the entertainment world, have been desperate for the elusive sense of normalcy since the COVID-19 pandemic disrupted the world in March 2020.

It’s been hard to find, but one major sign of that return to a pre-pandemic way of life took place Tuesday at the Canadian Museum for Human Rights, which played host to the Winnipeg International Jazz Festival‘s first performances since June 2019.

ETHAN CAIRNS / WINNIPEG FREE PRESS FILES
The Melissa Aldana Quartet performs in the Bonnie and John Buhler Hall of the Canadian Museum for Human Rights during the Winnipeg International Jazz Festival on Tuesday.
ETHAN CAIRNS / WINNIPEG FREE PRESS FILES The Melissa Aldana Quartet performs in the Bonnie and John Buhler Hall of the Canadian Museum for Human Rights during the Winnipeg International Jazz Festival on Tuesday.

Jazz fest signals the beginning of the city’s festival season, with the Winnipeg Folk Festival and the Winnipeg Fringe Theatre Festival taking place in July and Folklorama and a new event, the Current Festival, happening in August.

Tuesday night’s show included Chilean tenor saxophonist Melissa Aldana and her quartet, who opened the evening’s mainstage lineup with a rousing set that showed why she’s earned a Grammy nomination, and later with vocalist René Marie and pianist Dawn Clement, the evening’s headliners.

The historic evening also included another sax player from far away, Ukrainian Bogdan Gumenyuk, whose fierce solos resonated throughout the upper reaches of the architecturally distinctive museum..

He has bounced between Kyiv, the United States and Canada for several years as a musician and record-label owner. He and his wife live in Montreal and spends his non-musical time worrying for his friends and relatives in Ukraine, which has been under attack by Russian forces since February.

He has been performing in Quebec to raise funds the Ukrainian World Congress, which is supporting aid efforts.

He brought his music and his message to Winnipeg Tuesday, and it was fitting He performed at the human rights museum, which serves as a remembrance of those who’ve suffered during past atrocities as well as paying tribute to the world’s human-rights success stories.

Investigators from around the world are in Ukraine gathering evidence of war crimes perpetrated by the Russian military, and Ukraine’s struggle will surely become part of the museum’s future.

ETHAN CAIRNS / WINNIPEG FREE PRESS FILES
Connor Derraugh plays piano on the eighth floor of the Canadian Museum for Human Rights.
ETHAN CAIRNS / WINNIPEG FREE PRESS FILES Connor Derraugh plays piano on the eighth floor of the Canadian Museum for Human Rights.

Gumenyuk kicked off his set as part of a quartet that included former Winnipeg pianist Paul Shrofel and they performed in front of an overflow crowd at the CMHR’s cosy 7th Floor Theatre.

The tight space enhanced the group’s powerful instrumentals from his two albums as well as his modern jazz take on a Ukrainian folk song that translates into English as Why Didn’t You Arrive?

“We’re thrilled to be here, especially since this is my first time in Winnipeg,” he said.

There was room on opening night for local performers too.

That included two city vocalists, Nadia Douglas and Rosemarie Todaschuk, who fronted their own bands on a patio set up in the museum’s entrance that faces Izzy Asper Way.

“The jazz festival is the highlight of the year for all jazz musicians, we all look forward to it,” Todaschuk said after singing classics such as What a Little Moonlight Can Do and Leonard Cohen’s Hallelujah with longtime jazz fest musicians Ron Paley, Gilles Fournier, Neil Wilson and Owen Clark.

ETHAN CAIRNS / WINNIPEG FREE PRESS FILES
Bassist Pablo Menares of the Melissa Aldana Quartet plays in the Bonnie and John Buhler Hall.
ETHAN CAIRNS / WINNIPEG FREE PRESS FILES Bassist Pablo Menares of the Melissa Aldana Quartet plays in the Bonnie and John Buhler Hall.

“So with the jazz festival not taking place for the last two years, you feel like you’re heart was sinking.”

Douglas and her band followed as the skies cleared, and played upbeat numbers including Is You Is or Is You Ain’t?

“It’s fundamentally the place where all the jazz singers want to be and when it’s not happening, it feels like something’s missing, “ Douglas said,

One aspect of Winnipeg’s jazz fest – the threat of bad weather – hasn’t changed in the past three years.

A new patio set up at the human rights museum, which gives audiences a great view of the city’s skyline, also offered a view of ominous clouds coming from the west.

It drizzled a bit on and off, but when Rosemarie Todaschuk and her band performed the pop classic I Can See Clearly Now, the sun popped out, right on cue.

ETHAN CAIRNS / WINNIPEG FREE PRESS FILES
A group enjoys the jazz festival outside on the patio stage.
ETHAN CAIRNS / WINNIPEG FREE PRESS FILES A group enjoys the jazz festival outside on the patio stage.

The festival continues at the human rights museum tonight and at several other venues across the city until Sunday.

alan.small@freepress.mb.ca

Twitter: @AlanDSmall

Alan Small

Alan Small
Reporter

Alan Small has been a journalist at the Free Press for more than 22 years in a variety of roles, the latest being a reporter in the Arts and Life section.

Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.

Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.

Report Error Submit a Tip

More Stories

Transit driver killed in knife attack on U of M campus

8 minute read Preview

Transit driver killed in knife attack on U of M campus

8 minute read Tuesday, Feb. 14, 2017

A Winnipeg Transit driver was killed early this morning after he was stabbed by the only passenger on his bus at the University of Manitoba campus.

Irvine Jubal Fraser, 58, was rushed to hospital in critical condition but later died, police said.

The attack occurred at about 2 a.m. in the area of Dafoe Road West and Gillson Street.

Witnesses pointed officers led by the canine unit in the direction of the Red River, where a 22-year-old suspect trying to cross to the St. Vital side was arrested and taken into custody.

Read
Tuesday, Feb. 14, 2017

Notable quotes from 2020 Tokyo Olympics

The Canadian Press 4 minute read Sunday, Jul. 25, 2021

Correctional Services Canada is reopening prison farms. But in B.C., where it has no such programs, a wife and her late husband, who killed a man in a botched holdup, started Emma’s Acres, a unique prison farm she hopes to see expanded.

Kinew will listen to city request for new taxes — but no promises

Nicole Buffie 5 minute read Preview

Kinew will listen to city request for new taxes — but no promises

Nicole Buffie 5 minute read Friday, Nov. 1, 2024

Premier Wab Kinew remained coy about whether he would support a new municipal tax in Winnipeg as the city struggles to maintain services.

Kinew dodged questions on the matter Friday afternoon.

“We want to see services strong, we want to see roads getting fixed,” Kinew said. “Affordability is really top of mind … we got to keep life affordable for the average person out there.”

Some of the items being considered for a new tax are: alcohol, online deliveries, vehicle registration, vacant homes, commercial parking and land transfers with an exemption for first-time homebuyers.

Read
Friday, Nov. 1, 2024

Must-see Folk Fest workshops

16 minute read Preview

Must-see Folk Fest workshops

16 minute read Thursday, Jul. 5, 2018

Workshops have always been an integral part of the Winnipeg Folk Festival.

They are magic-moment makers; a curated group of musicians — sometimes friends, sometimes strangers — on one stage playing together, supporting each other, creating something that will only exist for an hour or two. No one knows what will come out of the collaboration, but usually it’s something special.

When the Free Press spoke to Winnipeg Folk Festival artistic director Chris Frayer ahead of the lineup release in early March, he noted he would be paying some extra attention to workshops this year, as some of the special projects occurring during the past couple of festivals had pulled some of his attention away.

And with 37 workshops on the books, it would seem he followed through on his promise.

Read
Thursday, Jul. 5, 2018

Building healthier Canadians

Jason M. Sutherland 4 minute read 2:00 AM CDT

Ottawa is betting that billions of taxpayer dollars spent on steel, asphalt and concrete will secure Canada’s economic future and prosperity. Through the $51 billion Build Communities Strong fund, the federal government is paying for roads, bridges, water systems and transit to boost productivity and attract capital from Europe and Asia.

As the shovels hit the ground from Halifax to Vancouver, Canadians should be asking themselves: What good does it do to build a stronger country if we are not building healthier Canadians?

The fund’s $5 billion allocation for health infrastructure is welcome news, as many of our hospitals and long-term care homes across the country are showing severe signs of aging, and modern care centres are much needed. But pouring concrete for new facilities is not the same as building a healthy population.

A ribbon-cutting at a modern hospital does not guarantee you see a family doctor when you need one, keep a rural emergency department open overnight, or shorten the wait for a knee replacement keeping someone off the job or robbing a retiree of independence.

Trump touts USMCA win in state of the union

James McCarten, The Canadian Press 6 minute read Preview

Trump touts USMCA win in state of the union

James McCarten, The Canadian Press 6 minute read Tuesday, Feb. 4, 2020

WASHINGTON - President Donald Trump declared his scorched-earth political style an unmitigated success Tuesday in a fiercely partisan, made-for-TV state of the union speech that made it clear he expects to be back in the White House next year on the strength of the U.S. economy and his trade deals with Canada, Mexico and China.

Trump, addressing a joint session of Congress in the very chamber where House Democrats voted to impeach him less than two months ago, became only the second president in American history — Bill Clinton was the first — to deliver a state of the union while standing trial in the Senate.

Unrepentant, he pointedly refused to shake the offered hand of House Speaker Nancy Pelosi on the dais before singing the praises of what he billed as "the great American comeback," pointing to strong job growth, a soaring stock market and low unemployment as evidence of his leadership. And when he was done, Pelosi ripped up the speech in full view of the television cameras.

"America's enemies are on the run, America's fortunes are on the rise, and America's future is blazing bright. The years of economic decay are over," Trump declared, taking full credit for the country's "roaring economy," including what he billed as seven million new jobs and the lowest jobless rate in half a century — a "blue-collar boom" that he's counting on to help his re-election chances in November.

Read
Tuesday, Feb. 4, 2020