The Arts

Thin Air director closes book on job

Ben Sigurdson 2 minute read Thursday, Dec. 4, 2025

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After 23 years at the helm of Thin Air, the Winnipeg International Writers Festival, director Charlene Diehl is stepping away to begin the next chapter in her life.

Diehl has been at the helm of what is now Plume Winnipeg, the organization that oversees Thin Air, since 2003, and will see out her role as director until the end of December.

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Two-hander playing game of clones

Ben Waldman 4 minute read Preview

Two-hander playing game of clones

Ben Waldman 4 minute read Thursday, Nov. 13, 2025

Even though the play premièred in 2002, starring Daniel Craig and the late Michael Gambon, Royal Manitoba Theatre Centre’s version of the cloning thriller A Number is an original copy.

That’s by Caryl Churchill’s design. Aside from upholding the interlacing dialogue between a father (Victor Ertmanis) and his son (Rodrigo Beilfuss), the Obie-winning playwright leaves the rest up to interpretation. Though each successive production shares the same script, Churchill’s complete eschewal of stage direction and design notes allows for individuated artistic mutations: no two snowflakes are alike.

“All she tells us is, ‘Here are the characters,’ their ages and that the whole play takes place in the father’s home,” says Beilfuss, who, as the artistic director of Shakespeare in the Ruins, is accustomed to more clearly delineated instructions. “But that’s it — we get to come up with everything else. Could they be drinking in the scene? Does the father use a cane? Could one of the sons be wearing a baseball cap?

“Basically, we’re creating this play, our own version of it, our own world.”

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Thursday, Nov. 13, 2025

MIKE DEAL / FREE PRESS

Rodrigo Beilfuss plays Bernard in cloning thriller A Number.

MIKE DEAL / FREE PRESS
                                Rodrigo Beilfuss plays Bernard in cloning thriller A Number.

What’s up

5 minute read Preview

What’s up

5 minute read Thursday, Nov. 13, 2025

Neilfest

Times Change(d), 234 Main St.

Friday, 9:30 p.m.; Saturday, 3 p.m. and 9:30 p.m.

Tickets: $23 at eventbrite.ca

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Thursday, Nov. 13, 2025

Heather Ogg Photography

Alan Doyle

Heather Ogg Photography
                                Alan Doyle

Newfoundland artist’s fictional hockey league takes on toxic masculinity, homophobia in the sport

Jen Zoratti 6 minute read Preview

Newfoundland artist’s fictional hockey league takes on toxic masculinity, homophobia in the sport

Jen Zoratti 6 minute read Thursday, Nov. 13, 2025

The St. John’s Sissies. The Nain Nancys. The Come By Chance Flamers.

These are just some of the teams in the Queer Newfoundland Hockey League, the fictional conference at the heart of a multimedia solo exhibition of the same name by Canadian artist Lucas Morneau, which comes to Gallery 1C03 at the University of Winnipeg today.

Morneau crocheted and rug-hooked the brightly coloured, vintage-inspired jerseys — complete with logos — for all 14 of the QNHL’s teams, which are all named for pejoratives used against LGBTTQ+ communities in an act of reclamation.

It’s a strictly Newfoundland and Labrador league because Morneau, who uses they/them pronouns, grew up in Corner Brook (repped here by the Corner Brook Queens). But also, Newfoundland just has a lot of funny town names (see: Dildo, whose team in the QNHL is the Dykes, or Leading Tickles, whose team is the Lesbos).

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Thursday, Nov. 13, 2025

Annie France Noël photo.

Morneau’s Queer Newfoundland Hockey League project reclaims homophobic pejoratives and reimagines them as teams to root for.

Annie France Noël photo.
                                Morneau’s Queer Newfoundland Hockey League project reclaims homophobic pejoratives and reimagines them as teams to root for.

Local dance pioneers leap, pirouette into hall of fame

Conrad Sweatman 3 minute read Preview

Local dance pioneers leap, pirouette into hall of fame

Conrad Sweatman 3 minute read Saturday, Nov. 8, 2025

CBC sitcom The Newsroom, created by Winnipeg-born Ken Finklemen, is unjustly forgotten, despite being years ahead of its time in terms of its shaky handheld-camera style and its biting parody of Toronto-centric CBC culture.

“But Winnipeg’s supposed to have a great symphony,” one character reassures a despondent colleague who has been reassigned to anchor in the Manitoba capital.

“Hear Winnipeg’s got a great ballet. You’ll have a good time, I swear,” says another.

Empty encouragement this may be, but Finklemen’s characters were spitting facts: Winnipeg’s orchestras and dance companies have among Canada’s most significant lineages.

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Saturday, Nov. 8, 2025

PHIL HOSSACK / FREE PRESS FILES

Former artistic director of the Royal Winnipeg Ballet, Arnold Spohr, is being inducted into this year’s Dance Collection Danse hall of fame.

PHIL HOSSACK / FREE PRESS FILES
                                Former artistic director of the Royal Winnipeg Ballet, Arnold Spohr, is being inducted into this year’s Dance Collection Danse hall of fame.

Artificial art a threat to human creativity

Jen Zoratti 5 minute read Preview

Artificial art a threat to human creativity

Jen Zoratti 5 minute read Saturday, Nov. 8, 2025

Even if you don’t know the name Drew Struzan, you’ve definitely seen his work. It’s been shown in the odd art gallery, but you’ve likely encountered it in popcorn-scented movie theatres, or, even more likely, on your friends’ bedroom walls, that first site of personal art curation.

The American artist and illustrator created more than 150 movie posters. He was the brain behind the enduring images we have in our minds of Star Wars, E.T., The Shawshank Redemption, Bladerunner, Back to the Future and Indiana Jones. Struzan died in October at the age of 78. Earlier this year, his wife disclosed that he had Alzheimer’s and was no longer drawing.

“Iconic” is an overused adjective, often breathlessly used in the place of “popular” or “very famous.”

But what Struzan created was, indeed, iconography. When you hear the titles of some of these films, it’s very possible you think of Struzan’s soft-glow imagery before you even think of a specific scene.

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Saturday, Nov. 8, 2025

American artist and illustrator Drew Struzan created more than 150 movie posters – many of them iconic – including posters for movies such as Indiana Jones, Star Wars, E.T., The Shawshank Redemption, Bladerunner and Back to the Future.

American artist and illustrator Drew Struzan created more than 150 movie posters – many of them iconic – including posters for movies such as Indiana Jones, Star Wars, E.T., The Shawshank Redemption, Bladerunner and Back to the Future.

The Empire Strikes Back… on Jubilee Avenue

Nicole Buffie 3 minute read Preview

The Empire Strikes Back… on Jubilee Avenue

Nicole Buffie 3 minute read Wednesday, Dec. 24, 2025

A few days ago, in a neighbourhood not far away…

A three-metre-tall, 3.5-metre-long All Terrain Armored Transport walker from Star Wars showed up outside a home on Jubilee Avenue in the Lord Roberts area last Sunday to spread some nerdy holiday cheer.

The science-fiction combat vehicle, dressed in multicolour Christmas lights, was built by Aaron Frost and his students in the University of Winnipeg theatre department’s advanced stagecraft class as a lesson in three-dimensional set pieces.

“We used to make little fireplaces as their final project, and I just thought, you know, let’s do something way more fun,” Frost said Wednesday.

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Wednesday, Dec. 24, 2025

The Christmas AT-AT display (Supplied)

The Christmas AT-AT display (Supplied)

Beautiful, sometimes brainy bunch of Munsch

Holly Harris 6 minute read Preview

Beautiful, sometimes brainy bunch of Munsch

Holly Harris 6 minute read Tuesday, Dec. 23, 2025

Munsch Upon a Time, in a theatre not that far away, Prairie Theatre Exchange reinstated its 30-year tradition of bringing beloved Canadian children’s author Robert Munsch’s storybooks to life for the first time since 2019.

Its latest family-friendly holiday show, Munsch Upon a Time, opened over the weekend at the Cherry Karpyshin Mainstage and was met with giggles and glee by tots and their caregivers Sunday morning.

The award-winning writer scarcely needs introduction. Born in Pittsburgh, Penn., in 1945, Munsch moved to Canada in 1975 to teach at the University of Guelph, before devoting himself exclusively to children’s literature. Kids have eagerly lapped up his engaging, wholly relatable books including Love You Forever, A Promise Is a Promise and Alligator Baby.

The 60-minute production with all-local thespians, slickly directed by Alissa Watson, features a medley of five tales stitched together into a cosy narrative quilt by Winnipeg-based playwright/actor/director Debbie Patterson. The theatre artist, whose prior adaptations of Munsch’s perennially popular stories have been produced in theatres across Canada, creates effective transitions that become a framing device for each story, as well as providing overall context.

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Tuesday, Dec. 23, 2025

Joey Senft photo

Kara Joseph is featured in PTE’s Munsch Upon a Time.

Joey Senft photo
                                Kara Joseph is featured in PTE’s Munsch Upon a Time.

Some soundtracks have become synonymous with the season

Jen Zoratti 4 minute read Preview

Some soundtracks have become synonymous with the season

Jen Zoratti 4 minute read Saturday, Dec. 20, 2025

Tchaikovsky’s Nutcracker score isn’t the only one that has become popular outside of its original context.

Many TV and film soundtracks and scores have taken their rightful place in the Christmas-music canon, alongside the traditional carols, the modern pop hits and the new covers of traditional carols.

Here are five that have become synonymous with the season.

Johnny Marks, Rudolph the Red-Nosed Reindeer (1964)

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Saturday, Dec. 20, 2025

CNS-TV-HOLIDAYS

Johnny Marks wrote the theme song for the Rudolph the Red Nosed Reindeer stop-motion animation special, which first aired in 1964.

CNS-TV-HOLIDAYS
                                Johnny Marks wrote the theme song for the Rudolph the Red Nosed Reindeer stop-motion animation special, which first aired in 1964.

Local theatre productions offer family-friendly entertainment during holiday break

Ben Waldman 5 minute read Preview

Local theatre productions offer family-friendly entertainment during holiday break

Ben Waldman 5 minute read Saturday, Dec. 20, 2025

‘When I ask Filipinos if they know the story Ibong Adarna, I often jog their memories by saying, ‘It’s the one where a bird poops on people and turns them to stone,” says Winnipeg writer Primrose Madayag Knazan.

But in Knazan’s one-hour theatrical retelling, the classic folk tale about a dazzling creature with the power to heal or petrify those who approach it transforms into a shimmering, ethereal being (Matthew Pagtalunan, an award-winning drag artist who performs as Nila Ganda), who instead of calcifying agents emits glitter: call it a glow-up with a less icky glow-down.

So yes, The Glitter Bird — this year’s entry into local company UNI Together’s Pamasko Tales holiday musical series — will feature its fair share of loving parody. But dramaturg Hazel Venzon says the story it pays homage to is also teeming with timeless Filipino ideals and wisdom, such as the principle of kababaang-loob, or inner humility, while also reflecting on challenging colonial histories.

“The endurance of the Ibong Adarna in Filipino education and common imagination speaks to its adaptability, as well,” says Venzon. “It survives not because it is static, but because it continually invites reinterpretation — whether as a children’s tale, a nationalist allegory, or a critique of authority.”

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Saturday, Dec. 20, 2025

SUPPLIED

The cast of The Glitter Bird presents a retelling of a classic Filipino folk tale.

SUPPLIED
                                The cast of The Glitter Bird presents a retelling of a classic Filipino folk tale.

A fairy tale that takes down fascism? Don’t mind if we boo!

Ben Waldman 5 minute read Preview

A fairy tale that takes down fascism? Don’t mind if we boo!

Ben Waldman 5 minute read Friday, Dec. 19, 2025

A fascistic cabal living it up in the cushy clouds of Skyworld hopes to drain the depleted Lowlands of its remaining natural resources, forcing young Jax (Cyan Gargol) to climb the beanstalk and resist in Sick + Twisted Theatre’s third annual “Crip-Mas” panto.

In the panto tradition, audiences are invited to boo the villains — Artie Lorraine’s President/Emperor-Elect (P.E.E.), Joanna Hawkins’ Masterminder and Carlyn Graff-Czehryn’s Henchman — and rally for the heroes, including the non-binary, neurodivergent Jax, their mother (Theresa Thomson) and the family’s noble, baritone-voiced steed (Christopher Dunn).

For Sick + Twisted, an inclusive theatre company founded by Debbie Patterson, the panto format has become an opportunity to showcase the talents of artists who experience a wide range of both visible and invisible disabilities while also offering riotous humour, bombastic song and dance — Joseph Aragon is musical director and accompanies on grand piano — and scathing critiques of ableist power structures.

Combining classic fairy and folk tales with contemporary commentary, the panto is catalyzed by its underdog spirit, relying on the audience to be as politically engaged as the onstage happenings.

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Friday, Dec. 19, 2025

MIKAELA MACKENZIE / FREE PRESS

From left: Theresa Thomson (the dame), Christopher Dunn (the pony) and Cyan Gargo (Jax) perform a scene of the Merry Crip-mas Panto.

MIKAELA MACKENZIE / FREE PRESS
                                From left: Theresa Thomson (the dame), Christopher Dunn (the pony) and Cyan Gargo (Jax) perform a scene of the Merry Crip-mas Panto.

Christmas flicks target of PTE holiday improv

Ben Waldman 4 minute read Preview

Christmas flicks target of PTE holiday improv

Ben Waldman 4 minute read Thursday, Dec. 11, 2025

With construction ongoing at Portage Place, the Christmas season will look different in the downtown mall’s history: the food court is walled off, the clock tower’s gone, and earlier this week, the legendary fountains were removed.

But at Prairie Theatre Exchange, the theatre company housed on the mall’s top floor, annual holiday traditions are well underway.

In the rehearsal spaces, preparation has begun for Munsch Upon a Time, a five-story showcase of the iconic children’s author’s work. Written by Debbie Patterson, the upcoming run (Dec. 19-Jan. 3) marks the first time PTE has visited Munsch’s world onstage since before the pandemic, when a shift in programming put a halt to the decades-old custom.

During the annual Munsch show’s hiatus, PTE forged a new holiday tradition with the improv comedy group Outside Joke. Since Christmas 2022, Andrea del Campo, RobYn Slade, Toby Hughes, Jane Testar, Chadd Henderson and Paul De Gurse have been developing one-of-a-kind, one-night-only holiday fare for PTE.

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Thursday, Dec. 11, 2025

Joey Senfft photo

From left: Outside Joke’s Andrea del Campo, Chadd Henderson, Jane Testar, RobYn Slade, Toby Hughes and Paul De Gurse

Joey Senfft photo
                                From left: Outside Joke’s Andrea del Campo, Chadd Henderson, Jane Testar, RobYn Slade, Toby Hughes and Paul De Gurse

Mythical musical resonates with portrayer of Percy

Ben Waldman 4 minute read Preview

Mythical musical resonates with portrayer of Percy

Ben Waldman 4 minute read Thursday, Dec. 4, 2025

Brady Barrientos reads young.

“I’m 23, but I feel like I look like I’m 12,” the actor says.

And for his latest role, the largest of his burgeoning musical theatre career, the performer went back to his elementary school bookshelf.

Earlier this year, when Manitoba Theatre for Young People cast Barrientos for the lead role in the Percy Jackson musical The Lightning Thief, he slipped back into his old reading habits, re-introducing himself to the bestselling series by author Rick Riordan.

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Thursday, Dec. 4, 2025

Ruth Bonneville / Free Press

At Camp Half Blood, Percy Jackson (Brady Barrientos) accepts the quest to travel to the underworld in the MTYP musical adaption of Rick Riordan’s The Lightning Thief.

Ruth Bonneville / Free Press 
                                At Camp Half Blood, Percy Jackson (Brady Barrientos) accepts the quest to travel to the underworld in the MTYP musical adaption of Rick Riordan’s The Lightning Thief.

Student production grapples with fascism

Ben Waldman 3 minute read Preview

Student production grapples with fascism

Ben Waldman 3 minute read Saturday, Nov. 29, 2025

With fresh waves of authoritarianism threatening modern-day democracy, acting students at the University of Winnipeg are travelling back to the latter days of Weimar Germany for a production they call “aggressively timely.”

A Bright Room Called Day, in its original format, was written by Tony Kushner — the playwright of Angels in America and screenwriter of director Steven Spielberg’s Munich, Lincoln and others — during the Reagan era as an allegorical warning about creeping fascism.

Inspired and exasperated by the election of Donald Trump to the office of American president, in 2019 Kushner retooled his decades-old work to address encroaching authoritarian nightmares.

Next week’s performance at the Asper Centre for Theatre and Film will be the Canadian première of the modernized script, entitled A Bright Room Called Day Revisited.

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Saturday, Nov. 29, 2025

CHRISTOPHER BRAUER PHOTO

Actor Elli Suppes performs as Agnes Eggling in A Bright Room Called Day Revisited.

CHRISTOPHER BRAUER PHOTO
                                Actor Elli Suppes performs as Agnes Eggling 
in A Bright Room Called Day Revisited.

Musical sleighs!

Holly Harris 5 minute read Preview

Musical sleighs!

Holly Harris 5 minute read Saturday, Nov. 29, 2025

Royal Manitoba Theatre Centre presented a capacity crowd with a big, beautiful early Christmas gift wrapped in a splashy showbiz bow as it launched its holiday production, Elf: The Musical, on Thursday.

Based on the 2003 film Elf, the stage adaptation, which premièred on Broadway in 2010, features a book by Thomas Meehan and Bob Martin. An entire Santa sack full of electrifying musical numbers added by composer Matthew Sklar are interwoven throughout the narrative, featuring razor-sharp, often astute lyrics by Chad Beguelin.

Elf: The Musical adds its own twists to the original screenplay, with its story-within-a-story now told from the perspective of a crotchety, TV channel-surfing Santa Claus (Daniel Bogart in his RMTC debut; also playing Grinchy publisher Mr. Greenway as an intriguing flipside) in lieu of the film’s original Papa Elf.

Santa gets the ball rolling as he reads a pop-up storybook about Buddy the elf that serves as a handy plot-framing device.

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Saturday, Nov. 29, 2025

Dylan Hewlett photo

Daniel Bogart as Santa Claus knows who’s naughty and who’s nice.

Dylan Hewlett photo
                                Daniel Bogart as Santa Claus knows who’s naughty and who’s nice.

Feds give MTYP $250,000 for upgrades

Ben Waldman 3 minute read Preview

Feds give MTYP $250,000 for upgrades

Ben Waldman 3 minute read Friday, Nov. 28, 2025

The federal government has allocated an additional $250,000 to the Manitoba Theatre for Young People to support the organization’s ongoing renovation and modernization projects.

Over the past two years, the Winnipeg company has undergone the most significant series of upgrades to its Forks Road site since moving there in 1999, with nearly $9 million funnelled toward expanded accessibility measures, green technologies and the opening of the Richardson Studio Theatre, a secondary professional-grade performance venue.

In that venue on Friday, Winnipeg South Centre MP Ben Carr announced the additional tranche of funding, drawn from the federal government’s Canada Cultural Spaces Fund. Combined with previously announced funding from the cultural spaces fund and the green and inclusive buildings program, Carr said the federal government’s financial backing of MTYP’s most recent capital campaign totals about $2 million.

“I had a chat yesterday with some folks from Meta — those are the people that run Instagram and Facebook — talking about young people and how to protect young people, and the discussion led us a little bit to how we’re really losing in our society, in part by virtue of social media, in part by other things, connectedness, and the way that telling stories and honouring the history and culture and identity through those stories plays a significant role in the health and well-being of our society and, I would argue, our democracy,” Carr said.

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Friday, Nov. 28, 2025

Leif Norman

MTYP’s new Richardson Studio Theatre recently hosted the production Gather.

Leif Norman
                                MTYP’s new Richardson Studio Theatre recently hosted the production Gather.

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