Movies

Movies

Dazed and confused stoner comedy hard to get right

Dazed and confused stoner comedy hard to get right

Alison Gillmor 4 minute read Friday, Aug. 14, 2026

Stoner comedy has always been kind of a dude thing. Think of the Fabulous Furry Freak Brothers, Cheech & Chong, Ice Cube’s Friday franchise, Harold & Kumar, basically any movie with the young Seth Rogen.

Screenwriter Dylan Meyer (Moxie) provides a much-needed gender swap in her directorial debut, giving us Kristen Stewart and Alia Shawkat as ride-or-die roommates Frankie and Molly. Dipping in and out of the gig economy and perpetually broke, they share their Los Angeles bungalow with two cats, a life-size cardboard cutout of Celine Dion and an enormously complicated “bong-a-tron” that takes up most of the living room.

Finally, finally, it’s women who get to be messy, aimless and really high.

Unfortunately, stoner movies — no matter the gender — are surprisingly hard to get right. The Wrong Girls is sweet and shaggy and intermittently funny, but Meyer ends up struggling with the genre’s common buzzkills.

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Movies

Supplied Modern American folk opera Hadestown reworks Greek myths to powerful effect. The Broadway hit is coming to select Winnipeg screens for a limited time.

Underworld musical translates well to silver screen

Alison Gillmor 5 minute read Preview

Underworld musical translates well to silver screen

Alison Gillmor 5 minute read Friday, Jul. 24, 2026

‘It’s a sad song, but we keep singing even so.”

That’s Hermes (Broadway icon André De Shields) speaking to the audience at the end of Hadestown, the much-adored musical now appearing on Winnipeg movie screens for a limited run.

The music is often beautifully, powerfully sad in this modern American folk opera by Anaïs Mitchell. Reworking the paired Greek myths of Orpheus and Eurydice and Hades and Persephone, Mitchell isn’t looking for conventional happy-ever-afters. After all, a lot of this doom-laden story takes place in hell.

Instead, Hadestown finds its joy in the power of shared stories.

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Friday, Jul. 24, 2026

Movies

Apple TV Jake Johnson (left) plays a tennis player on the outs who begrudgingly takes up pickleball in the Ben Stiller-produced The Dink.

TV lineup promises pugilism, pickleball and partying

Denise Duguay 4 minute read Preview

TV lineup promises pugilism, pickleball and partying

Denise Duguay 4 minute read Tuesday, Jul. 21, 2026

Soccer seems to be here to stay. There’s been barely a minute to recover from the 2026 World Cup final. Big smiles are still lingering after last week’s news that Winnipeg has been awarded the Northern Super League’s seventh franchise, starting in 2027. And because it’s not real if it’s not adapted for TV, there are but two weeks to go before the much anticipated return of Ted Lasso, with Jason Sudeikis’s title character now coaching a women’s soccer team in Season 4 (Aug. 5 on Apple TV). Rolling with that sports theme but venturing to other (occasionally murdery) arenas, here are a few suggestions for some brand new non-soccer programming.

● They Fight (movie streaming now on Disney+/Hulu)

This drama, set in Washington, D.C., concerns an ex-con who is drowning in doubt, from within and without, but trying to find his fight. The boxing gym beckons and it’s no spoiler to say he finally responds and learns that the best way to help yourself is to help others first. As they say in the trailer, “lock in!” Andre Holland (Selma) plays our hero alongside fellow acting heavyweights Samira Wiley (The Walking Dead) and Wendell Pierce (Elsbeth).

● The Dink (movie premières Friday, July 24 on Apple TV)

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Tuesday, Jul. 21, 2026

Movies

Sony Pictures Classics In Gail Daughtry and the Celebrity Sex Pass, (from left) John Slattery, Ben Wang, Miles Gutierrez-Riley, Zoey Deutch and Ken Marino are loosely inspired by characters in The Wizard of Oz.

Goofy ensemble comedy riffs on The Wizard of Oz

Alison Gillmor 5 minute read Preview

Goofy ensemble comedy riffs on The Wizard of Oz

Alison Gillmor 5 minute read Friday, Jul. 10, 2026

Unabashedly all over the place, this amiable ensemble comedy from director and co-writer David Wain (known for the sketch show The State and the Wet Hot American Summer movies) delivers a nonstop, hit-and-miss stream of dirty puns, slapstick gags and absurdist non sequiturs.

The plucky, self-deprecating cast manages to pull off some good comic moments. And as with the old Zucker-Abrahams-Zucker movies, when a bit doesn’t land, you can just wait 45 seconds or so for the next one.

Still, the film is riffing on The Wizard of Oz (with added sex jokes!). While’s there’s no need to go to David Lynch levels of obsession with this touchstone of Americana, it might help if all the funny stuff added up to something more.

The titular Gail Daughtry (Zoey Deutch) is a peppy, optimistic gal from rural Kansas, best known for penning an essay for her community newspaper titled Why I’m Never Leaving This Town.

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Friday, Jul. 10, 2026

Movies

Eric Zachanowich / Netflix The new Little House on the Prairie features (from left) Skywalker Hughes as Mary Ingalls, Crosby Fitzgerald as Caroline Ingalls, Luke Bracey as Charles Ingalls, and Alice Halsey as Laura Ingalls.

Little house, big female energy and golf drama

Denise Duguay 4 minute read Preview

Little house, big female energy and golf drama

Denise Duguay 4 minute read Tuesday, Jul. 7, 2026

From its earliest black-and-white flickers to today’s kaleidoscope of small-screen streaming options, television has offered many pleasures.

This new handful of new viewing recommendations dances nicely along that spectrum, from a period drama with a much needed modern perspective, a weekend of she-raging, a couple of spy thrillers and golf as a path to true grace (and a few gut-laughs). Onward!

●Little House on the Prairie (series premières Thursday on Netflix)

Based on Laura Ingalls Wilder’s beloved Little House books, a new Winnipeg-shot adaptation moves beyond the 1974-83 sentimental TV adventures of the Ingalls family homesteading in the 19th-century American Midwest. The new effort promises to be not only grittier but also narratively broader, expanding beyond the story of the family planting roots in “free land.” Says the show’s Osage Nation consultant Julie O’Keefe, “If you’re going to tell the story, then you need to tell both sides.” The series has already been renewed for a second season. For more on the series, check out Randall King’s recent preview.

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Tuesday, Jul. 7, 2026

Movies

Supplied From left: Doug Smith, Sandra Hardy, Debbie Patterson and Greg Selinger discuss co-ops in Meeting a Moment: The Art of Social Architecture, which airs on CBC.

Winnipeg co-ops among models examined in film

Conrad Sweatman 5 minute read Preview

Winnipeg co-ops among models examined in film

Conrad Sweatman 5 minute read Friday, Jun. 26, 2026

We see theatre artist Debbie Patterson making her way toward the Old Grace Housing Co-operative’s entrance in her wheelchair, then settling inside for a steaming cup of tea. The co-op is her home.

“Well, I’ve always loved this neighbourhood and wanted to stay in this neighbourhood. I lived in a big, three-storey Wolseley house and then got MS and couldn’t do the stairs,” she says in a voiceover.

“Having a place I could move into that was completely accessible was just a godsend at a perfect time when I needed to stop living in my house, so I could stay in my neighbourhood and continue to be in a safe place.”

It’s one of the opening scenes of Meeting a Moment: The Art of Social Architecture, directed by Danielle Sturk and produced by Leslie Stafford, which appears on CBC Gem today and airs on CBC TV Saturday.

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Friday, Jun. 26, 2026

Movies

More like So-so girl

More like So-so girl

Alison Gillmor 4 minute read Preview

More like So-so girl

Alison Gillmor 4 minute read Friday, Jun. 26, 2026

I like Supergirl, played in this new DCU outing by Australian actor Milly Alcock (House of Dragons).

As superheroes go, she’s pretty relatable. Her place is a mess. She eats cereal for dinner. She wears a vintage Blondie T-shirt. She gets into fights in bar parking lots. And all that casual, scruffy attitude can’t hide a moral backbone made of steel.

That’s why I wish her movie was better.

James Gunn’s planned multi-project DCU reboot got a solid start with last year’s Superman. This Supergirl- centred followup isn’t all bad. It has a lot of feel-good fan-service and fun, friendly charm, and Alcock is a standout as our fabulously messy heroine.

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Friday, Jun. 26, 2026

Movies

Supplied Robert Bresson’s donkey-led film Au Hasard Balthazar plays at Dave Barber Cinematheque Friday.

The beauty of the bleak

Ben Waldman 5 minute read Preview

The beauty of the bleak

Ben Waldman 5 minute read Wednesday, Jun. 24, 2026

Summer has officially begun, and the Dave Barber Cinematheque is ringing in the season with a seven-day festival full of despairing, shocking and unpleasant cinema.

Lead film programmer Olivia Norquay could hardly wait for Bleak Week.

Started in Los Angeles by the American Cinematheque in 2022, this year, the festival is expanding to 73 cities and nearly 100 theatres across the U.S., Canada, England, Scotland, Mexico, Uruguay, Argentina and Chile. Each venue then plots its own program of “uncompromising” films that “wholly embrace a cinema of despair in pursuit of unpleasant truths and raw empathy.”

Norquay — who selected 17 films from directors such as Béla Tarr (The Turin Horse), Agnès Varda (Vagabond), Michael Haneke (Funny Games) and Barbara Loden (Wanda) — says that even though this is the first year of participation for Winnipeg’s only downtown movie theatre, programming bleakness is nothing new at the Dave Barber Cinematheque.

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Wednesday, Jun. 24, 2026

Movies

Netflix Likei it or not, Louis C.K. is back with a new comedy special.

Cutting comedy, frilly diversions

Denise Duguay 4 minute read Preview

Cutting comedy, frilly diversions

Denise Duguay 4 minute read Tuesday, Jun. 23, 2026

Do not go gentle into that good small-screen summer. There are difficult decisions to be made, philosophically and narratively, and intense Bear-ish drama to be endured.

In between, Mary, Larry and Elle will provide some relief. Well, mostly relief.

●Ryan Hamilton: This Just Hit Me (comedy special premières Tuesday, June 23, on Netflix) and Louis C.K.: Ridiculous (premières Tuesday, June 30, on Netflix)

Happy Face (2017) was tall Idaho-born comic Ryan Hamilton’s first Netflix special. He concentrated his considerable dryly delivered comedy on his perpetually affable, slightly surprised expression. Very funny but uncomfortably self-lacerating at times. That same year, a much more urgent kind of discomfort surfaced when comic Louis C.K. admitted to sexual misconduct after five women publicly accused him. Now both performers have new comedy specials this month. Hamilton’s new special riffs on getting hit by a bus. C.K.’s, recorded last fall, talks about getting older and putting his dad in a home. Tragedy + time = comedy has never been truer, or more challenging to discerning viewers.

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Tuesday, Jun. 23, 2026

Movies

Neon via the Associated Press Ryan (Stacy Clausen, left) and Naim (Joe Bird) develop a tender, passionate relationship just in time for a malevolent entity to arrive and attempt to wield it against them in Leviticus.

Poignant lead performances anchor tense Aussie horror

Alison Gillmor 4 minute read Preview

Poignant lead performances anchor tense Aussie horror

Alison Gillmor 4 minute read Friday, Jun. 19, 2026

Bleak, beautiful and sad, this small Australian film combines art-house horror with a queer coming-of-age story. This is a monster movie in which the monster is homophobic hatred.

Naim and Ryan (Joe Bird and Stacy Clausen) are two teenage boys first seen doing teenage-boy stuff — breaking into an abandoned factory and goofing around.

We sense almost at once that all their wrestling and grappling is displaced desire. Ryan is a popular kid and Naim is a wary outsider, but a relationship grows between the two — tentative at first, then tender and passionate.

These adolescent feelings are complicated by the fact their families belong to a fundamentalist religious sect that dominates their tough small town.

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Friday, Jun. 19, 2026

Movies

Niko Tavernise / Universal Pictures The truth is out there: Emily Blunt (left) and Josh O’Connor in Disclosure Day.

Full disclosure: Spielberg’s latest a solid sci-fi outing

Alison Gillmor 4 minute read Preview

Full disclosure: Spielberg’s latest a solid sci-fi outing

Alison Gillmor 4 minute read Saturday, Jun. 13, 2026

Steven Spielberg, who has been making feature films for over five decades now, is in “watch the skies” mode with his new sci-fi movie, a deliberately old-fashioned alien visitation story that is sometimes sinister, sometimes sentimental and often outright goofy.

There are callbacks to cinematic history and Spielberg’s own sci-fi oeuvre — especially E.T., Close Encounters of the Third Kind and Minority Report. There are expertly executed set- pieces and indelible individual images. There’s a whole lot of lens flare. These are things that Spielberg fans will expect.

But there’s also a valiant kookiness that’s surprising in a summer blockbuster. Disclosure Day can be thumpingly obvious and oddly disjointed, but it’s one of those movies that’s actually made better by its imperfections.

Daniel Kellner (Josh O’Connor from Wake Up Dead Man) is a math genius on the lam from Wardex, a shadowy corporation run by Noah Scanlon (Colin Firth, being suavely villainous). Daniel holds a cache of evidence showing alien contact dating back seven decades, which has been systematically covered up by Wardex, the Department of Defense and military contractors.

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Saturday, Jun. 13, 2026

Movies

Apple TV Colin Farrell and Laura Donnelly finally return in Sugar, two years after a cliffhanger left fans with some big questions.

Love, music and the return of a weird noir

Denise Duguay 4 minute read Preview

Love, music and the return of a weird noir

Denise Duguay 4 minute read Tuesday, Jun. 9, 2026

There really is no excuse for staying indoors, except for streaming these five viewing suggestions.

● It’s Not Like That (series now streaming on Prime Video)

Religion is never not a volatile subject, but faith or belief or whatever word is preferred can/should be a different, more personal matter. Yet it is so seldom factored into small-screen storylines. Netflix’s Nobody Wants This (back for a third season in July) — a rom-com about a rabbi (Adam Brody) and a non-believer (Kristen Bell) — proved that with less preaching and more personal faith, audiences would respond.

Now, producers Ian Deitchman and Kristin Robinson (Parenthood) have delivered a new story about a widowed minister (Scott Foley of Scandal) and his wife’s best friend (Erinn Hayes from The Goldbergs). Their families still do everything together, which dovetails humorously and pointedly into their processing of grief and will-they-won’t-they intimacy. The children’s characters are also well developed, one of them observing about their elders: “I love how they get to start over and we’re supposed to pick up where they left off like nothing happened.” Buy tissues and enjoy!

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Tuesday, Jun. 9, 2026

Opinion

Marilyn Monroe (The Associated Press files)

Marilyn Monroe cursed to be Hot Forever

Jen Zoratti 5 minute read Preview

Marilyn Monroe cursed to be Hot Forever

Jen Zoratti 5 minute read Saturday, Jun. 6, 2026

Marilyn Monroe would have been 100 years old this week.

She was born Norma Jeane Baker on June 1, 1926, and died Marilyn Monroe on Aug. 4, 1962 at 36 of a barbiturate overdose, her incredible star a supernova.

Obviously, there’s a lot being published this week, looking at her filmography, her legacy and, in turn, our voracious appetite for the actor who, despite being a gifted talent, became who everyone thinks of when they hear the term “blond bombshell.”

We just can’t seem to quit Marilyn Monroe, and we really can’t seem to quit talking about her in a specific way. Why am I reading a Variety headline calling her, in 2026, the “goddess of sex”? The accompanying copy practically leers, describing her smile as “a lipstick bomb of bliss” and noting “the sparkly nightclub splendour of those curves.”

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Saturday, Jun. 6, 2026

Movies

Lionsgate As fellow songwriters, Nick Jonas (left) and Paul Rudd bond over balladry.

Music movie formulaic, but funny

Alison Gillmor 4 minute read Preview

Music movie formulaic, but funny

Alison Gillmor 4 minute read Saturday, Jun. 6, 2026

John Carney is a one-note writer-director, and I mean that in the good way. The Irish filmmaker likes to tell stories about the redemptive possibilities of music, in such projects as Flora and Son, Sing Street and the hugely popular, much loved Once.

His new dramedy (co-written with Peter McDonald) is a wee bit formulaic but still manages to be low-key funny in its comedy and gently melancholy in its drama. It’s a little underwritten with its themes of creativity and authenticity, but still pulls off a sweet, sincere and generous emotional vibe.

In fact, Power Ballad is a lot like the musical showdown it chronicles, caught between raggedy indie grit and catchy, crowd-pleasing riffs.

These opposing tones sometimes clash — especially in the confused second act — but thankfully Carney can rely on the endless, easy charm of star Paul Rudd to keep things going.

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Saturday, Jun. 6, 2026

Movies

Supplied From left: Festival organizers Matthew Shoup, Taryn Edgeworth, Caden Nikkel, Kieran Peters.

Emerging film fest fosters creativity, community

Conrad Sweatman 4 minute read Preview

Emerging film fest fosters creativity, community

Conrad Sweatman 4 minute read Monday, May. 25, 2026

While Ontario and Quebec film artists have long spoken ambivalently about working in the shadow of a cultural superpower, Prairie film artists tend to express a different kind of marginality.

“Canada doesn’t hold a candle to Hollywood and all that, but Winnipeg really struggles in the shadow of the folks in Toronto who set the agenda and who get most of the funding,” Winnipeg filmmaker Kevin Nikkel recently told the Free Press.

Nikkel’s son Caden, also a filmmaker, is driven by a similar sentiment.

He’s the programmer behind the Manitoba Emerging Filmmakers Festival (also organized by Matthew Shoup, Kieran Peters and Taryn Edgeworth). The festival, now in its third year, will show dozens of films next weekend in the Exchange District.

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Monday, May. 25, 2026

Movies

Magnolia Pictures Things get chaotic when Bob Odenkirk moves to Normal, Minn.

Minnesota not-so-nice

Randall King 3 minute read Preview

Minnesota not-so-nice

Randall King 3 minute read Tuesday, May. 19, 2026

British director Ben Wheatley has always been adventurous in his penchant for traversing genre boundaries, including hardcore horror (The Kill List), the big-budget monster movie (The Meg 2), the cerebral art film (High-Rise), and his own invention, the acid-trip period piece (A Field in England).

With his Manitoba-shot latest, Normal, Wheatley adds neo-western to the list, citing inspirations such as Bad Day at Black Rock, John Sturges’s 1955 thriller in which a one-armed stranger (Spencer Tracy) arrives in a small town to investigate the suspicious death of a friend.

The stranger in town here is Ulysses (Better Call Saul’s Bob Odenkirk, completing a trifecta of locally lensed action movies along with Nobody and Nobody 2), who has come to the Minnesota burg of Normal to act as an interim sheriff after the suspicious death of the previous officeholder.

Ulysses has both his arms, but he arrives bearing the after-effects of a trauma from his previous job. And at first blush, Normal is a town where he can heal, given that the worst thing he encounters is a shouting match at the hardware store and a lackadaisical parking job by the saucy local barkeep Moira (Lena Headey).

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Tuesday, May. 19, 2026

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