Music

Music

Subvert music service prioritizing art over artificial intelligence

Ben Waldman 5 minute read Thursday, May. 21, 2026

With its public launch earlier this month, a digital music marketplace called Subvert aims to live up to its name, directing more power — and more dollars — to recording artists navigating the choppy waters of the streaming wars.

Initially pitched as a collectively owned successor to Bandcamp — a popular sales interface for independent artists — and an alternative to big tech-funded streaming services like Spotify or Apple Music, Subvert (subvert.fm) was already hosting music for purchase by 20,000 artists from 120 countries as of Wednesday afternoon.

Nearly 30 of those artists — including Altona-based pop producer Daggerss, a.k.a. Laura Smith — call Manitoba home.

“To me, the co-op model is really exciting,” says Smith, a former touring member of indie rock stalwarts Said the Whale whose past projects include Rococode, a synthy duo that released music through Winnipeg label Head in the Sand Records in the 2010s. “It gives power to the people and keeps it in the hands of the people instead of us being at the beck and call of a tech company.”

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Celebrities

Council to vote on motion to rename park for Kevin Walters

Ben Waldman 4 minute read Preview

Council to vote on motion to rename park for Kevin Walters

Ben Waldman 4 minute read Tuesday, May. 19, 2026

Odeon Park — a nondescript plaza in front of the Burton Cummings Theatre — is one step closer to being renamed in honour of Kevin Walters, a leader in Winnipeg’s live music industry who died in 2014.

At city hall Tuesday, the executive policy committee unanimously carried a motion to redub the 970-square-metre space — a junction at the intersections of Notre Dame Avenue, King and Smith streets that hosts the Burt Block Party in August — as Kevin Walters Plaza. To make the change official, the motion will be brought to the council at large for final approval later this month.

The motion was brought to EPC by Charleswood-Tuxedo-Westwood councillor Evan Duncan.

“I’ve heard from countless residents, artists and industry leaders across our city who were impacted by Kevin’s profound generosity and vision,” Duncan said in a release. “Naming this plaza in his honour right on the doorstep of ‘The Burt’ will rejuvenate a vital public footprint and create an inclusive gathering place that reflects the soul of Winnipeg’s creative community.”

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Tuesday, May. 19, 2026

Music

Renowned composer, cellist Derksen dead after car crash

Scott Billeck 5 minute read Preview

Renowned composer, cellist Derksen dead after car crash

Scott Billeck 5 minute read Sunday, May. 17, 2026

Award-winning Cree composer and cellist Cris Derksen, who had strong ties to Manitoba’s arts community, has died following a car crash in northern Alberta. They were 45.

Derksen, originally from Treaty 8 territory in Alberta, composed the music for the Royal Winnipeg Ballet’s 2024 production of Cameron Fraser-Moore’s ballet Tel: Wild Man of the Woods.

According to reports, the crash occurred while Derksen and their wife, singer Rebecca Benson, were travelling home from Derksen’s father’s funeral. Benson was reportedly left in critical condition in hospital.

“It is with profound, shattering sadness that we share the news of the sudden passing of our dear friend, client, and visionary artist, Cris Derksen, following a car accident yesterday,” Derksen’s agency, AIM Booking Agency, wrote in a statement on Facebook.

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Sunday, May. 17, 2026

Celebrities

Dry Cold Productions co-founder retires after 25 years of onstage merriment

Ben Waldman 4 minute read Preview

Dry Cold Productions co-founder retires after 25 years of onstage merriment

Ben Waldman 4 minute read Friday, May. 15, 2026

A lifelong contributor to Winnipeg’s musical theatre world is taking a step back from his leadership role with Dry Cold Productions as the company marks its 25th anniversary.

In 2001, Reid Harrison, whose retirement from the role as co-artistic director was announced in December, was sitting at the Charterhouse restaurant with Donna Fletcher and Melanie Whyte commiserating over the city’s seeming reluctance to program work by American musical theatre legend Stephen Sondheim.

“We were just sort of whining,” recalls Harrison, who’s also the general manager of the annual Agassiz Chamber Music Festival.

So the trio decided to do something about it.

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Friday, May. 15, 2026

Music

Old for her age

Ben Waldman 4 minute read Preview

Old for her age

Ben Waldman 4 minute read Monday, May. 11, 2026

Nearly three years ago, Debbie Maslowsky was watching the Tony Awards when Anagram cast its spell.

First performed on Broadway by Victoria Clark and Justin Cooley, the song is a duet between the characters Kimberly Levaco and Seth Weetis, two teenagers who don’t look the same but share a thoughtful friendship rooted in inclusive language.

Seth is feeling alone for his reasons, while the newcomer Kimberly’s got hers: a new town, a new school and an unnamed, rare condition expressed through sped-up aging — calling to mind Natalie Babbitt’s 1975 novel Tuck Everlasting and Penny Marshall’s 1988 feature Big.

(Tuck closed on Broadway after 39 performances in 2015; Big the Musical was nominated for five Tonys and seven Drama Desk Awards in 1996; and in 2023, Kimberly Akimbo won five Tonys including best musical, best book and best score.)

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Monday, May. 11, 2026

Music

Province chips in $15M to bring Pantages Playhouse back to life

Gabrielle Piché 4 minute read Preview

Province chips in $15M to bring Pantages Playhouse back to life

Gabrielle Piché 4 minute read Tuesday, May. 5, 2026

A string quartet performed at the Pantages Playhouse Theatre Tuesday in celebration of a $15-million contribution from the province to raise the curtain at the historic landmark again.

The musicians provided the backdrop to Premier Wab Kinew’s announcement of the cash injection to “help bring the Pantages Playhouse back to life.”

The theatre — which opened in 1914 and was once a hub for vaudeville performers, including Charlie Chaplin — has been closed for eight years.

“This is a tremendous project to advance arts and culture in Winnipeg and across Manitoba, but it’s also a big investment in our downtown,” Kinew said.

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Tuesday, May. 5, 2026

Music

Magical, moving Métis musical feels like homecoming ceremony

Sonya Ballantyne 4 minute read Preview

Magical, moving Métis musical feels like homecoming ceremony

Sonya Ballantyne 4 minute read Saturday, May. 2, 2026

Back in the day, when having Cree ancestry was not as in vogue as it is now, having a Métis connection was largely acceptable because it was only “half-Cree.”

For some of us, it was only through that acceptable connection that we were able to hang on to our indigeniety at all; Métis roots were a way to keep Cree roots alive.

Roots, jigging and connection are the main ingredients of Rubaboo: A Métis Cabaret, the season-ending show at Royal Manitoba Theatre Centre. Written by Flin Flon-born Andrea Menard with music by Menard and Robert Walsh, this 85-minute show is part sharing circle and part guitar mass, looking at Prairie Métis history through song and storytelling.

Menard guides us as the cabaret’s storyteller, while also playing the hand drum and singing. She is joined onstage by Walsh on guitar and hand drum, Nathen Aswell on Chapman stick, and the fantastic Karen Donaldson Shepherd on percussion and fiddle. All three musicians provide vocals.

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Saturday, May. 2, 2026

Music

WSO unveils impressive fall lineup of masterworks

Conrad Sweatman 6 minute read Preview

WSO unveils impressive fall lineup of masterworks

Conrad Sweatman 6 minute read Saturday, Apr. 25, 2026

Fall might be the furthest thing from our minds right now, but it will usher in a new Winnipeg concert season with much to look forward to.

Luminary guest artists such as French cellist Edgar Moreau, Montreal pianist Janina Fialkowska and internationally renowned local soprano Andriana Chuchman are some of the highlights from the Winnipeg Symphony Orchestra’s recently announced 2026-27 season, with an emphasis on symphonic masterworks.

“The symphonic part of the season is really the backbone and bread and butter of what every great symphony orchestra needs to do from time to time,” says WSO music director Daniel Raiskin.

“This season is very much the orchestra’s voice.”

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Saturday, Apr. 25, 2026

Music

Brandon celebrates Grammy-winning violinist James Ehnes

Alex Lambert 3 minute read Preview

Brandon celebrates Grammy-winning violinist James Ehnes

Alex Lambert 3 minute read Thursday, Apr. 23, 2026

BRANDON — Internationally renowned violinist James Ehnes is set to be recognized in Brandon with an honorary road.

The Brandon-born musician has won two Grammys, 12 Junos, is a member of the Order of Canada and tours around the world — and will now have two blocks of 20th Street next to Brandon University named after him.

“This is a fantastic idea — for one of the top 10 violinists in the world … I think it’s a no-brainer,” Coun. Kris Desjarlais said during Monday evening’s council meeting.

“We should consider ourselves blessed that James is from our community.”

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Thursday, Apr. 23, 2026

Music

Figaro delivers high notes, high emotion amid the hijinks

Holly Harris 6 minute read Preview

Figaro delivers high notes, high emotion amid the hijinks

Holly Harris 6 minute read Monday, Apr. 20, 2026

You’d be hard pressed to find a more madcap opera than Mozart’s The Marriage of Figaro, the closing production of Manitoba Opera’s 2025/26 season, with the beloved opera buffa chronicling one crazy day in the lives of its love/lust-struck characters.

The three-plus-hour production (including one intermission) — originally created by Pacific Opera Victoria in 2024 and stage directed locally by Winnipeg’s Robert Herriot — opened Saturday night and runs through Friday.

It’s the final work presented by MO’s outgoing artistic director, Larry Desrochers, stepping down after 25 years at the helm, and it’s a final curtain call that leaves us laughing at the preposterous imponderables of life.

Last presented here in November 2015, the four-act comedy sung in Italian (with English surtitles) and based on Lorenzo Da Ponte’s libretto is listed among the top 10 operas performed worldwide.

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Monday, Apr. 20, 2026

Music

MCO’s new season sure to delight

Conrad Sweatman 5 minute read Preview

MCO’s new season sure to delight

Conrad Sweatman 5 minute read Thursday, Apr. 16, 2026

Had the Manitoba Chamber Orchestra trotted out that classic cliché of marketing speak — “a season full of surprises!” — about its upcoming lineup, it would have rung true.

The MCO’s 2026-27 season takes a cinematic turn, with works by such Hollywood film-score heavy hitters as Philip Glass, Arvo Pärt and even Radiohead’s Jonny Greenwood. It’s a treat whenever we hear Winnipeg’s cosy churches resonate with the best of these composers.

Though this isn’t really the surprising thing. The MCO has always been one of the Prairies’ leading champions of contemporary Canadian classical, and the upcoming season is especially adventurous in this respect.

In three concert programs, guest performers are also composers — acclaimed contralto Rose Naggar-Tremblay on Sept. 23, Florian Hoefner Jazz Quartet on Nov. 4 and flutist and hoop dancer V. J. Sparvier-Wells on March 17 — breaking down one of classical music’s traditional divisions.

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Thursday, Apr. 16, 2026

Celebrities

Wealth of musical talent providing the sounds of silents

Ben Waldman 4 minute read Preview

Wealth of musical talent providing the sounds of silents

Ben Waldman 4 minute read Thursday, Apr. 16, 2026

The score will be settled in real time on Saturday at the inaugural Winnipeg Silent Movie Festival, with local musicians set to provide live, improvised soundtracks to 10 films released between 1912 and 1929.

In order to meet the challenge, Mycze Cutler will rely on an instrument that predates any of the festival’s selections from the pre-sound era: a Casavant pipe organ, installed at the Crescent Fort Rouge United Church in 1911, one year before Lillian Gish made her film debut.

Used every week for worship, the Quebec-made instrument — equipped with strings, flutes and horns, as well as more than 2,000 pipes — will be employed by Cutler to improvise live scores to the festival’s closing projections, The Haunted House and One Week, both starring the inimitable Buster Keaton.

Cutler, the church’s music director, is used to improvising during services depending on the mood of the day’s hymns and the content of the sermon. As an accompanist for upcoming run of The Pirates of Penzance (opening April 24) from the musical theatre program of the Manitoba Theatre for Young People, Cutler has a clear plan to follow.

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Thursday, Apr. 16, 2026

Music

Drumroll, please: School of Rock celebrates 10-year mark

AV Kitching 3 minute read Preview

Drumroll, please: School of Rock celebrates 10-year mark

AV Kitching 3 minute read Saturday, Apr. 11, 2026

It’s been a decade of treble and bass at the School of Rock and the music academy on Corydon Avenue is gearing up to celebrate the major milestone with an all-ages anniversary show.

After 10 years of teaching Winnipeggers, both young and old, the art of rock ’n’ roll, the school is preparing to drum up even more excitement as it marches towards another decade of helping people play music together.

The program — which takes place May 16 at Sidestage, 700 Osborne St. — features live music performed by the talented artists and bands from the school. Ticket prices are donation-based, with all proceeds going toward supporting the school house band’s upcoming Canada Fest tour in Regina.

The school has been welcoming children as young as four, as well as youthful grown-ups in their 60s, to group and individual classes since opening its doors in 2016.

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Saturday, Apr. 11, 2026

Music

Hip-hop duo spread the word about social justice, education at STEM outreach program

Conrad Sweatman 6 minute read Preview

Hip-hop duo spread the word about social justice, education at STEM outreach program

Conrad Sweatman 6 minute read Tuesday, Mar. 31, 2026

During one of Canada’s busiest music weekends, two celebrated musicians stopped in Winnipeg to entertain 100 or so middle and high school students inside RRC Polytech’s auditorium.

On Friday afternoon in the final hours before spring break, Snotty Nose Rez Kids, a hip-hop duo from Kitamaat Village, B.C., paced the makeshift stage, delivering hits such as Boujee Natives while students jumped and chanted.

Many teachers danced too, overlooking the band’s mild profanity and bird-flipping amid the uplifting message of empowerment and fun.

“We were tired, but now we’re rejuvenated,” said band member Darren (Young D) Metz after seeing so many young people get fired up at their performance.

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Tuesday, Mar. 31, 2026

Books

Pop music’s problematic relationship with Nazi imagery, fascist ideas explored in new account

Reviewed by Matt Henderson 5 minute read Preview

Pop music’s problematic relationship with Nazi imagery, fascist ideas explored in new account

Reviewed by Matt Henderson 5 minute read Saturday, Mar. 28, 2026

The Rolling Stones, David Bowie, Led Zeppelin, Motorhead, The Sex Pistols, Blondie, Pink Floyd and even John Lennon: all artists and bands in a postwar era that were infatuated with Nazi symbolism, esthetics, language and memorabilia. Jimmy Page of Led Zeppelin flaunted SS uniforms; John Lennon mimicked Adolf Hitler on stage and collected memorabilia; and Joy Division (and, later, New Order) derived their names from Nazi literature.

All of this happened in plain sight, with hardly a bark from the media. But why, and how? Why did these bands and musicians think brandishing swastikas on their arms, wearing Nazi uniforms or goose-stepping on stage yelling Nazi chants and commands were within the realm of decency? How did this level of blatant antisemitism go relatively unnoticed at the time, and why has there been virtual silence to this day?

These are the questions posed by Daniel Rachel, who in This Ain’t Rock ‘n’ Roll: Pop Music, the Swastika, and the Third Reich pulls apart several decades of obsession, flirtation and outright adoption of antisemitic tendencies of prominent artists in the 1960s, ’70s and ’80s. A former musician and author of several books on pop music, including Too Young Too Old: the 2 Tone Records Story and The Lost Album of the Beatles: What if the Beatles Hadn’t Split Up?, Rachel is also Jewish and committed to understanding how people could ever contemplate how revelling in totalitarianism, genocide and hate might be rock and roll, punk rock and sexy.

For Rachel, this history — a study of the human experience — is fundamentally a process for him to make sense of his infatuation with pop music, while juxtaposing it with the fact that many of his heroes were antisemitic: “This Ain’t Rock ‘n’ Roll is, in many ways, an attempt to reconcile my adolescent political awakening with my love of pop music.”

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Saturday, Mar. 28, 2026

Music

Fu Fu Chi Chis bring decade of harmony to first full album

Ben Waldman 4 minute read Preview

Fu Fu Chi Chis bring decade of harmony to first full album

Ben Waldman 4 minute read Friday, Mar. 20, 2026

Most choirs sing about God, grace and gratitude: outfitted in century-old house dresses, Winnipeg’s Fu Fu Chi Chi Choir sings heartfelt odes to drunk dials, diss tracks to booty calls and romantic murder ballads with maggot-coated codas.

Formed in 2015 by Michelle Boulet and Sarah Constible — best known for their work in local theatre with Shakespeare in the Ruins — the choir started because Boulet couldn’t stand working alone. For two years at the Gas Station Arts Centre’s Girls Girls Girls fundraiser, the pair performed as a duet.

“It was kind of theatrical and a bit humiliating,” says the pink-haired Boulet with a laugh. “Then, in the third year, we decided to share the humiliation. We invited 13 women to get up and sing a spiritual about friends who backstab each other, and it went over gangbusters.

“So then we went, ‘That’s the key. More is better. More women is better.’”

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Friday, Mar. 20, 2026

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