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Music

Dauphin radio personality championed local musicians

Aileen Goos 5 minute read Friday, Feb. 13, 2026

The news of Bruce Leperre’s death this week felt like listening to the last track on a favourite album — the ending was inevitable, but the silence still came as a surprise.

For decades, he was the familiar voice on CKDM in Dauphin whose enthusiasm was genuine and infectious. He talked about music in a way that made you feel it.

But in recent years, his voice grew quieter; the stories of artists he met or mentored were harder to recall. And in 2018, at the age of 57, Leperre was diagnosed with Alzheimer’s. Even as the disease progressed and made conversations harder, his eyes lit up when he heard a familiar song or saw a familiar face.

Leperre died on Tuesday in Ste. Rose General Hospital from complications related to Alzheimer’s. He was 65.

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MIKAELA MACKENZIE / FREE PRESS

Anneli Loepp Thiessen, CMU music instructor, (left) and Sandra Koop Harder, CMU’s vice-president external.

MIKAELA MACKENZIE / FREE PRESS
                                Anneli Loepp Thiessen, CMU music instructor, (left) and Sandra Koop Harder, CMU’s vice-president external.

Despair over conflict in Minneapolis prompts ‘sing resistance’ event at CMU

John Longhurst 4 minute read Preview

Despair over conflict in Minneapolis prompts ‘sing resistance’ event at CMU

John Longhurst 4 minute read Friday, Jan. 30, 2026

Winnipeggers who feel alone and helpless to do anything about what’s happening in Minneapolis can gather with others at Canadian Mennonite University on Monday evening to “sing resistance.”

Organized as an opportunity to sing in solidarity with people of of the Twin Cities, the free event takes place at the university, located at Grant Avenue and Shaftesbury Boulevard, at 7 p.m.

“It’s not a concert,” said Sandra Koop Harder, vice-president external at CMU. “It’s the community coming together to raise our voices in the face of injustice, fear and the uneasy times we are living through.”

The Minneapolis-St. Paul metropolis has been under siege since Jan. 6, when 2,000 armed federal Immigration and Customs Enforcement agents arrived to crack down on what the Trump administration has described as massive fraud committed by thousands of illegal immigrants.

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Friday, Jan. 30, 2026

Buio Assis photo

Some of the songs on To Keep were written by Dominique Adams a decade ago.

Buio Assis photo
                                Some of the songs on To Keep were written by Dominique Adams a decade ago.

Solo album built on collaboration

Ben Waldman 6 minute read Preview

Solo album built on collaboration

Ben Waldman 6 minute read Thursday, Jan. 29, 2026

Dominique Adams doesn’t mind playing the waiting game.

Many of the vignette-driven lyrics, gentle harmonies and mesmerizing vocal runs that populate the local songwriter’s debut record, To Keep, were in Adams’ back pocket for as long as a decade. The title track wraps around a piece of advice her vocal teacher Jeanette Gallant gave her in 2016 when Adams was a music student in Red Deer, Alta.: keep yourself and don’t look behind.

And even though the record — captured in Winnipeg at Liam Duncan’s Better Daze Studios — was released last July, Adams is only getting around to celebrating it with an official release show tonight at Sidestage, opening with a circle of songwriters — Cassidy Mann, Sam Fournier, Laura June Rose and Jacob Brodovsky — sharing their music with the crowd.

That group approach to performance is typical for Adams, who learned to sing, perform and arrange in choral and musical theatre settings during her upbringing in Edmonton. Family gatherings routinely wound down with sing-alongs, her brother on the piano and her father on the guitar. If there’s a reason Adams prefers to bide her time, it’s because the artist would rather jam with a pack.

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Thursday, Jan. 29, 2026

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Synthetic Friend plays the Handsome Daughter on Saturday following the release of its new EP, Catching the Outlines.

Supplied
                                Synthetic Friend plays the Handsome Daughter on Saturday following the release of its new EP, Catching the Outlines.

We interrupt this cold snap…

Ben Waldman 7 minute read Preview

We interrupt this cold snap…

Ben Waldman 7 minute read Monday, Jan. 19, 2026

Fuelled by year-round Slurpees and a lifetime supply of undergraduate angst, Winnipeg quintet Synthetic Friend released its debut EP Catching the Outlines on Friday, just in time for the group’s first headlining gig of 2026 — a coveted Saturday-night slot during Winterruption.

While Manitoba boasts one of the richest, most eclectic summer festival ecosystems in the country, Winterruption — co-produced by Real Love Winnipeg and the West End Cultural Centre — has become a frozen tentpole event for music fans in Winnipeg.

The festival, which runs Tuesday to Saturday and features more than 50 acts, matches the brightest Prairie artists with national and international counterparts at seven venues across the city: Public Domain, the Park Theatre, the Handsome Daughter, Sidestage, the WECC, Park Alleys and Shorty’s Pizza.

This year, the crop of local talent includes Synthetic Friend, featuring vocalist Emma Stevens, bassist Kaity Cummings, drummer Tomi Lawrie and guitarists Aaron Simard and Ashton Fontaine. Formed in 2023, the band has opened for Winnipeg artists including Lev Snowe, Amos the Kid and Boniface, but the Winterruption gig at the Handsome Daughter will mark the first time it has headlined a show in support of its own indie release.

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Monday, Jan. 19, 2026

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Harry Stafylakis will première his Symphony No. 3 at the WNMF during his final year as the WSO’s composer-in-residence.

Supplied
                                Harry Stafylakis will première his Symphony No. 3 at the WNMF during his final year as the WSO’s composer-in-residence.

Pondering the algo-rhythms

Conrad Sweatman 5 minute read Preview

Pondering the algo-rhythms

Conrad Sweatman 5 minute read Saturday, Jan. 17, 2026

On an episode of Da Ali G Show, Sacha Baron Cohen’s satirical persona asks a panel of bewildered experts: “Tech-mo-logy — what is that all about? Is it good or is it whack?”

The Winnipeg Symphony Orchestra would put the question in more serious terms, but it goes to the heart of its Winnipeg New Music Festival this year at a time when technology has more of us wanting to prod and troll the tech experts leading the so-called artificial intelligence revolution.

“What is going to be left for the human? I mean, we’re just casually stepping aside and ceding the world to this thing. Humanity is prepared to render itself obsolete,” says Harry Stafylakis, the WSO’s composer-in-residence and co-curator of the festival.

Maybe it’s better for our humanity to resist “progress” — and stay just a bit more stoo-pid, as Ali G would put it — than gorge on this Tree of Knowledge’s low-hanging answers for everything.

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Saturday, Jan. 17, 2026

MATT DUBOFF PHOTO

The Winnipeg Symphony Orchestra’s From the Inside Out concert series sees audience members seated on stage with the musicians.

MATT DUBOFF PHOTO 
                                The Winnipeg Symphony Orchestra’s From the Inside Out concert series sees audience members seated on stage with the musicians.

Wagner gets a workout during up-close concert experience

Holly Harris 5 minute read Preview

Wagner gets a workout during up-close concert experience

Holly Harris 5 minute read Thursday, Jan. 15, 2026

Lightning struck twice Tuesday when the Winnipeg Symphony Orchestra presented its sophomore offering of From the Inside Out, an all-immersive concert in which wide-eyed — and eared — audience members sit cheek by jowl with professional musicians.

The brainchild of WSO music director Daniel Raiskin, who introduced its inaugural concert last January, the first of three nightly performances welcomed back to the podium former WSO associate conductor Julian Pellicano.

The maestro’s skyrocketing career has been on fire since leaving his WSO position in 2024. Recently appointed music director and conductor of the Okanagan Symphony Orchestra, Pellicano also continues to serve as principal conductor for the Royal Winnipeg Ballet, as well as a staff conductor with the National Ballet of Canada. The tireless musician also guest conducts throughout North America, including marking his San Francisco Symphony Orchestra debut last weekend.

As with last year’s Inside Out performance, the 90-minute (no intermission) show had more buzz than a beehive, with a sold out crowd of 315 people eagerly snapping “selfies,” chatting with musicians and streaming onstage before curtain to find their respective seats. One might even forgive the show beginning an unprecedented, nearly 20 minutes late, with WSO performances usually running like a tightly wound Swiss watch right down to the last split second.

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Thursday, Jan. 15, 2026

Georges Dutil photo

Montreal saxophone quartet Quasar will perform March 5 at Winnipeg Art Gallery featuring audio-visual and surround-sound works written specially for the quartet.

Georges Dutil photo
                                Montreal saxophone quartet Quasar will perform March 5 at Winnipeg Art Gallery featuring audio-visual and surround-sound works written specially for the quartet.

Class acts of the classical music season

Holly Harris 5 minute read Preview

Class acts of the classical music season

Holly Harris 5 minute read Thursday, Jan. 15, 2026

Happy New Year! As temperatures plummet, Winnipeg’s ever-lively classical music scene continues to heat things up with an all-new lineup of world-class performances.

Here is a list of 10 concerts that have caught my eye until the end of the season, listed (mostly) in chronological order:

1. The 35th Winnipeg New Music Festival roars back to life on Friday, Jan. 23 with its first of five programs, WNMF1: Sunrise, showcasing the music of American guest composer Christopher Theofanidis. In addition to his haunting Rainbow Body inspired by medieval mysticism, the cutting-edge program runs to Jan. 29 featuring works by Jennifer Higdon, Polina Nazaykinskaya and James MacMillan. For more info, see wnmf.ca.

2. If there were awards for most novel concerts offered all year long, the Winnipeg Symphony Orchestra’s Brawl at the Hall would take the belt. The WSO, led by guest conductor Daniel Bartholomew-Poyser, pulls no punches with a knockout bill of feisty works featuring wrestling stars from Winnipeg Professional Wrestling (WPW). Check it out at the Centennial Concert Ring, er, Hall, on Wednesday, Feb. 4 at 7:30 p.m. See wso.ca.

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Thursday, Jan. 15, 2026

Chris Pizzello / Associated Press files

The prose in Patti Smith’s latest memoir tends to meander, encouraging re-reading and contemplation.

Chris Pizzello / Associated Press files
                                The prose in Patti Smith’s latest memoir tends to meander, encouraging re-reading and contemplation.

Patti’s Smith’s new memoir a wide-ranging look at life on and off the stage

Reviewed by Bill Rambo 4 minute read Preview

Patti’s Smith’s new memoir a wide-ranging look at life on and off the stage

Reviewed by Bill Rambo 4 minute read Saturday, Jan. 3, 2026

Patti Smith’s career as a punk rocker blazed in the late 1970s. Her debut album, Horses, just reissued as a 50th-anniversary edition, regularly appears on lists of all-time top albums and inspired the likes of, among many others, Michael Stipe and Peter Buck of R.E.M.

Smith, now 79, has released multiple memoirs — 2010’s Just Kids, about her relationship with photographer Robert Mapplethorpe, and 2015’s M Train — as well as numerous books of poetry and other art. Bread of Angels is more a full autobiography, often quite effectively melding her interior thoughts with important events and people.

A short preface introduces a recurring theme: rebel hump. The idea of not quite fitting in may help Smith “disguise the miniature Quasimodo trapped inside an awkward child’s body.”

Rambling chapters chronicle her Philadelphia upbringing, a sickly child determined to make her own way. “I did not want to grow up,” she says, and rejects the Bible study in her mother’s Jehovah’s Witness experience.

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Saturday, Jan. 3, 2026

Supplied photo

Ray Robertson

Supplied photo
                                Ray Robertson

Robertson’s new batch of musician profiles melds music criticism, biography

Reviewed by Jarett Myskiw 4 minute read Preview

Robertson’s new batch of musician profiles melds music criticism, biography

Reviewed by Jarett Myskiw 4 minute read Saturday, Jan. 3, 2026

The problem with clichés is that their easy familiarity often comes to hide any underlying insight. Preaching to the choir may be easier than converting the unenlightened, but both require specific talents.

Canadian writer Ray Robertson, author of nearly 20 works of fiction, non-fiction and poetry, returns with Dust, a work that explores and celebrates a number of influential, if not always well-known, musicians. This accessible book will appeal to both musical experts and neophytes.

Dust is a compelling blend of music criticism and biographical and historical storytelling, a thematic followup to 2016’s Lives of the Poets (With Guitars). Traversing much of the 20th century and with little concern for conformity to musical genre, Robertson shares his love of music and the often-iconoclastic performers who pushed their art into new territory. His goal along the way is not to simply share interesting anecdotes, but instead to develop a shared experience of music with readers.

Chapters aren’t tied by chronology or style. There is blues, rock, jazz and country — sometimes within the same portrait. One third of the musicians profiled died before age 30; addictions, mental health struggles and poverty abound. Yet for every Nick Drake, dead at 26, there is a Muddy Waters or the Staple Singers, who lived long, if not always unchallenging, lives.

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Saturday, Jan. 3, 2026

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The scholarship winners will perform Sunday at St. Andrew’s River Heights United Church.

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                                The scholarship winners will perform Sunday at St. Andrew’s River Heights United Church.

Women’s Musical Club of Winnipeg names this year’s scholarship winners

Conrad Sweatman 3 minute read Preview

Women’s Musical Club of Winnipeg names this year’s scholarship winners

Conrad Sweatman 3 minute read Saturday, Dec. 27, 2025

Not unlike with sports, scholarships and competitions are the lifeblood of classical musicians, especially in their career’s first years.

Winnipeg has a a few of note, one of which is the Women’s Musical Club of Winnipeg’s annual scholarship, which has just sounded the trumpets for this year’s winners. Together, they take home in $11,500 in prize money.

“The WMC has a long history of supporting young musicians in their pursuit of a performance career,” board member Millie Hildebrand tells the Free Press.

“Our scholarships go a long way, not only in assisting them financially, but in lending them confidence that they are on the right path.”

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Saturday, Dec. 27, 2025

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Mundane Problems will have you shouting, ‘Serenity now!’

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                                Mundane Problems will have you shouting, ‘Serenity now!’

Improv band Mundane Problems finds humour in day-to-day issues

Randall King 2 minute read Preview

Improv band Mundane Problems finds humour in day-to-day issues

Randall King 2 minute read Wednesday, Dec. 24, 2025

The musical improv group Mundane Problems didn’t start out with a Festivus-themed show.

But during the holiday season, the band’s shtick — taking suggestions of mundane problems from the audience and alchemizing them into musical gold — happens to sync with Frank Costanza’s Seinfeldian holiday in which the airing of grievances is a central tenet.

It’s a coincidence that should have holiday audiences exclaiming, “Serenity now!”

Mundane Problems features Christopher Dunn (vocals), Evan Miles (piano), Josh Bonneteau (drums) and Sam Fournier (bass and vocals).

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Wednesday, Dec. 24, 2025

Jazz Winnipeg

Jason Marsalis performs drums as well as vibraphone.

Jazz Winnipeg
                                Jason Marsalis performs drums as well as vibraphone.

Jazz festival weaves royal lineup for 2026

Conrad Sweatman 4 minute read Preview

Jazz festival weaves royal lineup for 2026

Conrad Sweatman 4 minute read Tuesday, Dec. 23, 2025

Tickets for the 2026 Winnipeg International Jazz Festival are on sale, with the festival’s first two headliners unveiled: the Miles Electric Band (MEB) and Jason Marsalis Quartet.

The MEB plays at the Burton Cummings Theatre on June 21; Marsalis and his quartet perform June 19 at the Desautels Concert Hall at the University of Manitoba.

Both acts are of jazz royal lineage.

This coming year would have been Miles Davis’s centennial year, so tribute concerts abound right now. But the nine-piece MEB mounts more than just a tribute, featuring members of the crew who helped Davis push his sound in a revolutionary electric direction.

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Tuesday, Dec. 23, 2025

CNS-TV-HOLIDAYS

Johnny Marks wrote the theme song for the Rudolph the Red Nosed Reindeer stop-motion animation special, which first aired in 1964.

CNS-TV-HOLIDAYS
                                Johnny Marks wrote the theme song for the Rudolph the Red Nosed Reindeer stop-motion animation special, which first aired in 1964.

Some soundtracks have become synonymous with the season

Jen Zoratti 4 minute read Preview

Some soundtracks have become synonymous with the season

Jen Zoratti 4 minute read Saturday, Dec. 20, 2025

Tchaikovsky’s Nutcracker score isn’t the only one that has become popular outside of its original context.

Many TV and film soundtracks and scores have taken their rightful place in the Christmas-music canon, alongside the traditional carols, the modern pop hits and the new covers of traditional carols.

Here are five that have become synonymous with the season.

Johnny Marks, Rudolph the Red-Nosed Reindeer (1964)

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Saturday, Dec. 20, 2025

MIKAELA MACKENZIE / FREE PRESS FILES

Soprano Lara Secord-Haid plays Addie Mills in The House Without a Christmas Tree.

MIKAELA MACKENZIE / FREE PRESS FILES
                                Soprano Lara Secord-Haid plays Addie Mills in The House Without a Christmas Tree.

Opera’s yuletide production delivers on grand scale

Ben Waldman 3 minute read Preview

Opera’s yuletide production delivers on grand scale

Ben Waldman 3 minute read Tuesday, Dec. 16, 2025

The Little Opera Company’s never been this big.

Since its founding in 1995, the independent chamber opera organization has prioritized what artistic director Spencer Duncanson calls “bite-sized” productions, typically telling stories from start to finish in 100 minutes or less.

For The House Without a Christmas Tree, that window of time remains consistent, but the company has engaged more performers than ever before for its flagship annual production: a cast of five principles, an ensemble of 15 singers and an 18-piece orchestra will take the stage this week for a three-night stand at the Desautels Concert Hall.

Originally commissioned for the Houston Grand Opera in 2017, The House Without a Christmas Tree begins when a woman named Addie Mills (Lara Secord-Haid) passes by a holiday window display in downtown Manhattan, drawing her back to the Christmases of her childhood, when the complex grief of young Addie’s (Sarah Schabas) father (Toronto’s Dion Mazerolle) called for subdued yuletide celebrations for the whole family. Other principals include Donnalynn Grills as Grandmother Mills and Ashley Schneberger as Addie’s best friend Carla-Mae.

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Tuesday, Dec. 16, 2025

New Music

5 minute read Preview

New Music

5 minute read Friday, Dec. 12, 2025

FONTINE

Good Buddy (Birthday Cake Records)

The opening, fuzzed-out guitar chords of this album’s title track serve notice that there’s more to Fontine Beavis than she revealed on her debut EP, Yarrow Lover.

That six-song outing from 2023 introduced the Brandon-raised, Winnipeg-based musician as an indie folk-pop singer-songwriter, writing about finding her own space, both in love and in the world. On Good Buddy, Fontine is still concerned with matters of heart and place but, with music that recalls the blissfully noisy power pop of Matthew Sweet — especially on the record’s opening salvo of Good Buddy and Body Double — she’s also clearly more confident about who she is and what she feels.

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Friday, Dec. 12, 2025

MIKAELA MACKENZIE / FREE PRESS

On Monday, the West End Cultural Centre put out a statement on social media asking supporters for financial help to the tune of $50,000 by Dec. 31 in order to keep its programs going.

MIKAELA MACKENZIE / FREE PRESS
                                On Monday, the West End Cultural Centre put out a statement on social media asking supporters for financial help to the tune of $50,000 by Dec. 31 in order to keep its programs going.

If the ‘West End’ goes dark

Melissa Martin 6 minute read Preview

If the ‘West End’ goes dark

Melissa Martin 6 minute read Friday, Dec. 5, 2025

There may have been a blizzard that night, when my father dropped me off on Ellice Avenue, though it was so long ago it’s hard to remember. What I remember is the flutter in my chest as I stepped out of the car, and the hint of paternal worry in my father’s eyes as he told me to have a great time, and that he would pick me up later.

With that, I clutched my ticket in my hands and walked wide-eyed into the West End Cultural Centre.

It was my first real concert, and first time being out on my own. I felt very grown-up, although I was just 14 years old, and transfused with the particular adolescent thrill of seeing one’s musical idols in person — in this case, an up-and-coming band from Newfoundland called Great Big Sea.

I’d discovered them one night on MuchMusic, which, like most Canadian teens of the era, I’d watch raptly for hours. Within a few years, the band would become a national sensation, launching Celtic kitchen-party tunes into the Canadian mainstream; but at the time, few knew them: they were just breaking out of The Rock.

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Friday, Dec. 5, 2025

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