Music

Music

Brandon celebrates Grammy-winning violinist James Ehnes

Alex Lambert 3 minute read Thursday, Apr. 23, 2026

BRANDON — Internationally renowned violinist James Ehnes is set to be recognized in Brandon with an honorary road.

The Brandon-born musician has won two Grammys, 12 Junos, is a member of the Order of Canada and tours around the world — and will now have two blocks of 20th Street next to Brandon University named after him.

“This is a fantastic idea — for one of the top 10 violinists in the world … I think it’s a no-brainer,” Coun. Kris Desjarlais said during Monday evening’s council meeting.

“We should consider ourselves blessed that James is from our community.”

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Figaro delivers high notes, high emotion amid the hijinks

Holly Harris 6 minute read Preview

Figaro delivers high notes, high emotion amid the hijinks

Holly Harris 6 minute read Monday, Apr. 20, 2026

You’d be hard pressed to find a more madcap opera than Mozart’s The Marriage of Figaro, the closing production of Manitoba Opera’s 2025/26 season, with the beloved opera buffa chronicling one crazy day in the lives of its love/lust-struck characters.

The three-plus-hour production (including one intermission) — originally created by Pacific Opera Victoria in 2024 and stage directed locally by Winnipeg’s Robert Herriot — opened Saturday night and runs through Friday.

It’s the final work presented by MO’s outgoing artistic director, Larry Desrochers, stepping down after 25 years at the helm, and it’s a final curtain call that leaves us laughing at the preposterous imponderables of life.

Last presented here in November 2015, the four-act comedy sung in Italian (with English surtitles) and based on Lorenzo Da Ponte’s libretto is listed among the top 10 operas performed worldwide.

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Monday, Apr. 20, 2026

MCO’s new season sure to delight

Conrad Sweatman 5 minute read Preview

MCO’s new season sure to delight

Conrad Sweatman 5 minute read Thursday, Apr. 16, 2026

Had the Manitoba Chamber Orchestra trotted out that classic cliché of marketing speak — “a season full of surprises!” — about its upcoming lineup, it would have rung true.

The MCO’s 2026-27 season takes a cinematic turn, with works by such Hollywood film-score heavy hitters as Philip Glass, Arvo Pärt and even Radiohead’s Jonny Greenwood. It’s a treat whenever we hear Winnipeg’s cosy churches resonate with the best of these composers.

Though this isn’t really the surprising thing. The MCO has always been one of the Prairies’ leading champions of contemporary Canadian classical, and the upcoming season is especially adventurous in this respect.

In three concert programs, guest performers are also composers — acclaimed contralto Rose Naggar-Tremblay on Sept. 23, Florian Hoefner Jazz Quartet on Nov. 4 and flutist and hoop dancer V. J. Sparvier-Wells on March 17 — breaking down one of classical music’s traditional divisions.

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Thursday, Apr. 16, 2026

Wealth of musical talent providing the sounds of silents

Ben Waldman 4 minute read Preview

Wealth of musical talent providing the sounds of silents

Ben Waldman 4 minute read Thursday, Apr. 16, 2026

The score will be settled in real time on Saturday at the inaugural Winnipeg Silent Movie Festival, with local musicians set to provide live, improvised soundtracks to 10 films released between 1912 and 1929.

In order to meet the challenge, Mycze Cutler will rely on an instrument that predates any of the festival’s selections from the pre-sound era: a Casavant pipe organ, installed at the Crescent Fort Rouge United Church in 1911, one year before Lillian Gish made her film debut.

Used every week for worship, the Quebec-made instrument — equipped with strings, flutes and horns, as well as more than 2,000 pipes — will be employed by Cutler to improvise live scores to the festival’s closing projections, The Haunted House and One Week, both starring the inimitable Buster Keaton.

Cutler, the church’s music director, is used to improvising during services depending on the mood of the day’s hymns and the content of the sermon. As an accompanist for upcoming run of The Pirates of Penzance (opening April 24) from the musical theatre program of the Manitoba Theatre for Young People, Cutler has a clear plan to follow.

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Thursday, Apr. 16, 2026

Drumroll, please: School of Rock celebrates 10-year mark

AV Kitching 3 minute read Preview

Drumroll, please: School of Rock celebrates 10-year mark

AV Kitching 3 minute read Saturday, Apr. 11, 2026

It’s been a decade of treble and bass at the School of Rock and the music academy on Corydon Avenue is gearing up to celebrate the major milestone with an all-ages anniversary show.

After 10 years of teaching Winnipeggers, both young and old, the art of rock ’n’ roll, the school is preparing to drum up even more excitement as it marches towards another decade of helping people play music together.

The program — which takes place May 16 at Sidestage, 700 Osborne St. — features live music performed by the talented artists and bands from the school. Ticket prices are donation-based, with all proceeds going toward supporting the school house band’s upcoming Canada Fest tour in Regina.

The school has been welcoming children as young as four, as well as youthful grown-ups in their 60s, to group and individual classes since opening its doors in 2016.

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Saturday, Apr. 11, 2026

Hip-hop duo spread the word about social justice, education at STEM outreach program

Conrad Sweatman 6 minute read Preview

Hip-hop duo spread the word about social justice, education at STEM outreach program

Conrad Sweatman 6 minute read Tuesday, Mar. 31, 2026

During one of Canada’s busiest music weekends, two celebrated musicians stopped in Winnipeg to entertain 100 or so middle and high school students inside RRC Polytech’s auditorium.

On Friday afternoon in the final hours before spring break, Snotty Nose Rez Kids, a hip-hop duo from Kitamaat Village, B.C., paced the makeshift stage, delivering hits such as Boujee Natives while students jumped and chanted.

Many teachers danced too, overlooking the band’s mild profanity and bird-flipping amid the uplifting message of empowerment and fun.

“We were tired, but now we’re rejuvenated,” said band member Darren (Young D) Metz after seeing so many young people get fired up at their performance.

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Tuesday, Mar. 31, 2026

Pop music’s problematic relationship with Nazi imagery, fascist ideas explored in new account

Reviewed by Matt Henderson 5 minute read Preview

Pop music’s problematic relationship with Nazi imagery, fascist ideas explored in new account

Reviewed by Matt Henderson 5 minute read Saturday, Mar. 28, 2026

The Rolling Stones, David Bowie, Led Zeppelin, Motorhead, The Sex Pistols, Blondie, Pink Floyd and even John Lennon: all artists and bands in a postwar era that were infatuated with Nazi symbolism, esthetics, language and memorabilia. Jimmy Page of Led Zeppelin flaunted SS uniforms; John Lennon mimicked Adolf Hitler on stage and collected memorabilia; and Joy Division (and, later, New Order) derived their names from Nazi literature.

All of this happened in plain sight, with hardly a bark from the media. But why, and how? Why did these bands and musicians think brandishing swastikas on their arms, wearing Nazi uniforms or goose-stepping on stage yelling Nazi chants and commands were within the realm of decency? How did this level of blatant antisemitism go relatively unnoticed at the time, and why has there been virtual silence to this day?

These are the questions posed by Daniel Rachel, who in This Ain’t Rock ‘n’ Roll: Pop Music, the Swastika, and the Third Reich pulls apart several decades of obsession, flirtation and outright adoption of antisemitic tendencies of prominent artists in the 1960s, ’70s and ’80s. A former musician and author of several books on pop music, including Too Young Too Old: the 2 Tone Records Story and The Lost Album of the Beatles: What if the Beatles Hadn’t Split Up?, Rachel is also Jewish and committed to understanding how people could ever contemplate how revelling in totalitarianism, genocide and hate might be rock and roll, punk rock and sexy.

For Rachel, this history — a study of the human experience — is fundamentally a process for him to make sense of his infatuation with pop music, while juxtaposing it with the fact that many of his heroes were antisemitic: “This Ain’t Rock ‘n’ Roll is, in many ways, an attempt to reconcile my adolescent political awakening with my love of pop music.”

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Saturday, Mar. 28, 2026

Fu Fu Chi Chis bring decade of harmony to first full album

Ben Waldman 4 minute read Preview

Fu Fu Chi Chis bring decade of harmony to first full album

Ben Waldman 4 minute read Friday, Mar. 20, 2026

Most choirs sing about God, grace and gratitude: outfitted in century-old house dresses, Winnipeg’s Fu Fu Chi Chi Choir sings heartfelt odes to drunk dials, diss tracks to booty calls and romantic murder ballads with maggot-coated codas.

Formed in 2015 by Michelle Boulet and Sarah Constible — best known for their work in local theatre with Shakespeare in the Ruins — the choir started because Boulet couldn’t stand working alone. For two years at the Gas Station Arts Centre’s Girls Girls Girls fundraiser, the pair performed as a duet.

“It was kind of theatrical and a bit humiliating,” says the pink-haired Boulet with a laugh. “Then, in the third year, we decided to share the humiliation. We invited 13 women to get up and sing a spiritual about friends who backstab each other, and it went over gangbusters.

“So then we went, ‘That’s the key. More is better. More women is better.’”

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Friday, Mar. 20, 2026

Rise Against switches up mix of politics and punk

Eva Wasney 4 minute read Preview

Rise Against switches up mix of politics and punk

Eva Wasney 4 minute read Thursday, Mar. 19, 2026

Rise Against is doing a lot of doubleheaders on its latest tour, including a two-night stand at Burton Cummings Theatre this weekend.

The politically charged punk rock band from Chicago is trying something new with its live shows — playing smaller venues and stepping away from staple songs to plumb the archives for deep cuts.

“For a band that’s been together for 26 years and 10 records, it’s important to keep it fresh and keep it interesting. It’s like a marriage,” lead guitarist Zach Blair says over the phone in between a pair of shows in Toronto.

Concert goers can still expect to hear hits — such as Savior, The Good Left Undone — alongside music from the band’s latest album, Ricochet, and lesser-known tracks. The latter sometimes requires improvisation.

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Thursday, Mar. 19, 2026

56th Juno Awards brings the party back to Winnipeg in 2027

Eva Wasney 5 minute read Preview

56th Juno Awards brings the party back to Winnipeg in 2027

Eva Wasney 5 minute read Thursday, Mar. 12, 2026

The Juno Awards are coming back to Winnipeg.

The city has been selected to host the 56th edition of the Canadian music award show and its associated events from April 1 to 4, 2027. The Junos were previously held in Winnipeg in 2005 and 2014.

“Winnipeg has always been a city that has had an outsized musical influence,” said Allan Reid, president and CEO of the Canadian Academy of Recording Arts and Sciences (CARAS), which oversees the awards. “We are so excited to be back and we’re ready to build something truly extraordinary together.

“Get ready for the best Junos ever.”

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Thursday, Mar. 12, 2026

Back on Earth: prolific actor finally records new album

Ben Waldman 6 minute read Preview

Back on Earth: prolific actor finally records new album

Ben Waldman 6 minute read Thursday, Mar. 12, 2026

It’s been 54 years since anybody set foot on the moon, and 16 since Winnipeg songwriter Tom Keenan released a solo album.

You couldn’t accuse Keenan of being reclusive in the interim: one of the city’s most reliable and versatile actors, he’s appeared in more than 50 professional stage, television and film productions since launching his career in the early 2000s, most recently playing MacQueen in Murder on the Orient Express on the Royal Manitoba Theatre Centre mainstage, Pozzo in Godot for Shakespeare in the Ruins (a role he’ll reprise for RMTC in 2027) and starring in the pandemic-set feature film Melaleuca.

Yet Keenan’s loaded resumé in those modes of performance have largely taken precedence over his efforts in the realm of indie music, where the actor is no slouch.

“Good things keep getting in the way, which I’m thankful for, but it makes it hard to have any momentum as a professional musician, so it’s always been more of a passion project,” says Keenan, who’s latest album as Tommy Douglas Keenan — that’s his actual middle name — is out today.

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Thursday, Mar. 12, 2026

Manitoba Music, Ava Kobrinsky feted by Women in Music Canada

2 minute read Thursday, Mar. 12, 2026

Two local institutions have received accolades from Women in Music Canada, an industry organization dedicated to fostering gender equality.

Manitoba Music — a member-based, not-for-profit industry association working to develop and promote the growth and sustainability of the province’s music industry — was named organization of the year, while Ava Kobrinsky, co-founder of the Winnipeg Folk Festival and Home Routes/Chemin Chez Nous, a house-concert network for roots artists, received a special career-achievement honour at an award ceremony in Toronto last week.

“This recognition reflects the dedication of our team, board of directors, Indigenous music steering committee, BPM committee, and the inspiring artists, industry builders, communities, and partners we’re fortunate to work alongside —particularly the women and gender-diverse voices driving change in our community,” Vanessa Kuzina, Manitoba Music executive director, said in a media release.

Local artists Begonia and Rayannah also received nominations for artist of the year and excellence in sound production, respectively.

Writing on baseballs, playing covers shaped Matt Berninger’s process in latest solo work

Jen Zoratti 6 minute read Preview

Writing on baseballs, playing covers shaped Matt Berninger’s process in latest solo work

Jen Zoratti 6 minute read Saturday, Mar. 7, 2026

Some writers carry around a notebook to jot down observations, one-liners and any other “Is this anything?” that may one day become “This is something.”

Others use the Notes App on their phones and don’t type at all, instead dictating their ideas while they’re walking the dog.

Matt Berninger writes on baseballs.

The singer-songwriter and frontman of American indie-rock band the National usually likes to spread out when he writes, using Sharpies — so there is an element of permanence — on whiteboards, which is about as opposite from a baseball as you can get. Berninger has a visual art background, and he likes seeing the ideas pile up and collide against each other on a large canvas.

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Saturday, Mar. 7, 2026

Norwegian conductor looks to past to find hope for future

Conrad Sweatman 5 minute read Preview

Norwegian conductor looks to past to find hope for future

Conrad Sweatman 5 minute read Thursday, Mar. 5, 2026

Rune Bergmann lives in Oslo, but on any given day of the week might find himself in Switzerland, Calgary or Wisconsin, where he’s the music director for three separate organizations.

The Norwegian conductor appears all over North America and Europe as a guest conductor and is in the ‘Peg this weekend for Nordic Horizons with the Winnipeg Symphony Orchestra.

But he observes there is a certain patriotic flavour to this concert, which he programmed and conducts.

“It’s a Nordic buffet. A theme that goes through everything is survival, nationalism and the importance of sticking together and being there for each other,” he says.

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Thursday, Mar. 5, 2026

OBITUARY: Following chart-topping success, legendary Winnipeg musician John Hannah found peace living in obscurity

John Einarson 7 minute read Preview

OBITUARY: Following chart-topping success, legendary Winnipeg musician John Hannah found peace living in obscurity

John Einarson 7 minute read Saturday, Feb. 28, 2026

Long after he fell off the Winnipeg music radar, guitarist and songwriter John Hannah had retained a loyal following.

He had been living in his birth country of Scotland for many years but would frequently come back to Winnipeg to appear at local clubs. For many, he became a bit of a mystery man, a legend with occasional sightings. Although he recently died at age 73 in relative obscurity, Hannah left an indelible mark on Canadian music and on me.

Hannah came into my orbit through bandmate and high school buddy Ralph James. “John was in my Grade 10 class at Grant Park,” James recalls, “and I noticed The Who stickers on his binder.”

Hannah’s family arrived in Canada in 1957. His father was an architect and artist. Hannah had been at a boarding school in Switzerland prior to arriving at Grant Park High School. A huge British rock music fan, Hannah had been playing guitar since age seven. In the fall of 1969, James invited me to a jam at drummer Rod McFayden’s Campbell Street house. Hannah was there and the jam ultimately led to the formation of electric blues band Pig Iron.

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Saturday, Feb. 28, 2026

Local duo’s latest project takes a trip on the road to growing up

Eva Wasney and Ben Waldman 5 minute read Preview

Local duo’s latest project takes a trip on the road to growing up

Eva Wasney and Ben Waldman 5 minute read Friday, Feb. 27, 2026

Inspiration for Mise en Scene’s new album struck, fittingly, while Stefanie Johnson was on the road.

The pandemic was raging and she was heading up to Gimli, home at the time, when she spotted a church promoting drive-thru confessionals.

“I liked the mixing of metaphors, the idea of fast food and fast cheapness mixed with something vulnerable and secretive and special,” says Johnson, vocalist and guitarist of the local indie-rock outfit alongside drummer Jodi Dunlop.

Drive-Thru Confessional, out March 6, is Mise en Scene’s first full-length release in six years following the band’s 2023 EP, Reality Bites. The record is full of hazy, driving guitar and stories about the long, winding journey of growing up.

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Friday, Feb. 27, 2026

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