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The Arts

The Arts

Indigenous theatre founder gets nod for prestigious prize

Ben Waldman 3 minute read 2:02 AM CDT

For her work as the founding artistic director of Oshkagoojin Indigenous Theatre for Youth, Winnipeg’s Nova Courchene has been named the recipient of one of Manitoba theatre’s highest honours for emerging arts leaders.

Since 2023, the Cherry Karpyshin Arts Management Prize has been given out by Prairie Theatre Exchange to early-career or aspiring arts managers. Named for PTE’s longtime general manager, for whom the company’s mainstage is also named, the Cherry Prize is accompanied by professional supports and a $2,500 cash award.

Meaning “new moon” in Anishinaabemowin, Oshkagoojin runs a variety of initiatives in Winnipeg, including the teen-focused Rising Voices, the middle years Growing Voices, and the early years Young Voices programs. Through storytelling, movement, narrative games and guided play, the Young Voices program introduces Indigenous children aged five through nine to the fundamentals of collaborative and co-operative theatre with a curriculum devised through a cultural lens.

“As I continue to grow Oshkagoojin Indigenous Theatre for Youth, I look forward to strengthening the organization’s capacity, sustainability, and national reach so that more Indigenous young people can access theatre, cultural learning, and artistic leadership opportunities in their own communities,” says Courchene in a release. “I believe that when Indigenous youth are empowered to tell their stories, entire communities benefit, and I am excited to continue building these pathways for future generations.

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The Arts

Roughing it (less)

AV Kitching 6 minute read Preview

Roughing it (less)

AV Kitching 6 minute read Monday, Jul. 6, 2026

I hate camping.

I loathe the very idea of leaving the comfort and safety of home to sleep in a random field, where not only will I be exposed to the elements, but will also be at the mercy of all manner of creatures, from ursine to canine to insectan.

I do not want to hike up a hill just to share one outdoor tap with 12 others, standing alongside them as I brush my teeth.

I do not want to queue for 15 minutes, then part with a $2 coin to wedge myself into a shower stall just to stand under a piddly stream of lukewarm water while trying my best to swiftly soap up and sponge off lest I irk the rapidly growing line of campers outside.

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Monday, Jul. 6, 2026

The Arts

The View from Here: Linus Woods. After the Nest Ice Age in Long Plain Re, 2017

The View From Here 2 minute read Preview

The View from Here: Linus Woods. After the Nest Ice Age in Long Plain Re, 2017

The View From Here 2 minute read Saturday, Jul. 4, 2026

Staycation: The Art of Being Here features more than 100 Manitoba-related artworks from the Winnipeg Art Gallery-Qaumajuq collection, spanning the past 50 years. These pieces reveal how the places around us are layered with memory, story and lived experience. Over the coming weeks, the Free Press will spotlight works from this eclectic exhibition, each one offering a new way of seeing home. Experience it in person and enjoy some staycation time at the gallery, on view until December.

Linus Woods. After the Next Ice Age in Long Plain Res, 2017.

Acrylic, mixed media on canvas. Collection of the Winnipeg Art Gallery; Acquired with funds from the Winnipeg Art Gallery Foundation Kathleen M. Richardson Fund, 2018-12. Photo: Scott Benesiinaabandan.

After the Next Ice Age In Long Plain Res was commissioned for the 2017/18 WAG exhibition, INSURGENCE/RESURGENCE. Woods is a Dakota/Ojibway artist from Long Plain First Nation. This large painting takes a humorous look towards the future and hope for cultural resurgence, as elders surf down the waves of change.

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Saturday, Jul. 4, 2026

The Arts

Artist offers wry vision of American revolution to overrun Canada

Alison Gillmor 4 minute read Preview

Artist offers wry vision of American revolution to overrun Canada

Alison Gillmor 4 minute read Saturday, Jul. 4, 2026

WHAT IT IS: This is Surrender of the Tecumseth Irregulars, from the ongoing series Pax Americana by Dara Vandor, a Toronto-based visual artist who works across media. Since 2025, she has put up more than 30 aluminum plaques in public spaces, some on the streets of Toronto and some on the campus of Western University in London, Ont., along with a few outposts in Ottawa, Montreal and Tofino, B.C.

WHAT IT’S ABOUT: Vandor began this body of work as a response to U.S. President Donald Trump’s repeated and inflammatory comments about Canada as “the 51st state.”

Running with this rhetoric to imagine a full-scale military invasion, occupation and annexation, Vandor creates a dystopian narrative that culminates in the absorption of Canada into the American empire in 2035 under the leadership of President Ivanka Trump.

The plaques serve as sideways social and political commentary. Pretending to be a history written by the complacent American victors, they are actually written by a furious and frustrated Canadian, which adds sly comic layers to the seemingly official prose. Vandor’s tone is smart, snarky and fuelled by weaponized Canuck irony.

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Saturday, Jul. 4, 2026

The Arts

Patterson leaves Sick + Twisted days behind

Ben Waldman 5 minute read Preview

Patterson leaves Sick + Twisted days behind

Ben Waldman 5 minute read Friday, Jul. 3, 2026

Eleven years after getting Sick + Twisted Theatre off the ground in Winnipeg, the company’s founding artistic director is moving on.

Writer-actor-director Debbie Patterson is opening the door for the next person — or people — to lead the non-profit arts organization, devoted since 2015 to producing works by and about people with lived experiences of visible and invisible disabilities.

“I recognized the need and started the company, and I feel like I’ve gone as far as I can go with it,” says Patterson, a nationally recognized performer and arts administrator.

“I feel like I’m a really good builder but not a maintainer, and I feel like Sick + Twisted needs to get bigger.”

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Friday, Jul. 3, 2026

The Arts

Chorus of voices defines WJT’s upcoming season

Ben Waldman 5 minute read Preview

Chorus of voices defines WJT’s upcoming season

Ben Waldman 5 minute read Thursday, Jun. 25, 2026

A drama about circumcision, a Tony-winning musical and an abbreviated history of the Jewish people from the pen of a Manitoban performing arts legend are being served up next season by the Winnipeg Jewish Theatre, artistic director Dan Petrenko announced Wednesday.

Now in his fifth season at the helm of the WJT, the 28-year-old Petrenko has steered the company out of a pandemic-imposed deficit during his four years of program control, making decisions — a minimal two-show season in 2024, leaning into co-productions and favouring smaller casts — that have enabled the theatre to expand its reach.

The announcement of the company’s 39th season lineup comes just over two months before the WJT partners with Rainbow Stage to bring Fiddler on the Roof to Kildonan Park in September.

Since the Israeli-born, Toronto-raised artist took over for former artistic director Ari Weinberg — now the casting director for the Stratford Festival — in 2022, Petrenko has been tasked with revitalizing the company by incorporating younger theatre-going audiences while remaining faithful to the stock of productions that keep the WJT’s established subscriber base engaged.

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Thursday, Jun. 25, 2026

The Arts

Winnipeg-raised artist having pinch-me moment in U.K.

Jen Zoratti 4 minute read Preview

Winnipeg-raised artist having pinch-me moment in U.K.

Jen Zoratti 4 minute read Thursday, Jun. 25, 2026

As an artist, Joel Nichols has spent a lot of time in London’s National Portrait Gallery, looking for inspiration.

And now, one of his portraits will be on view there until the fall.

The Birmingham-born, Winnipeg-raised interdisciplinary artist was one of four people to be named a finalist for the 2026 Herbert Smith Freehills Kramer Portrait Award, a prestigious contemporary portraiture competition held annually by the gallery.

This year’s short list was selected from more than 1,474 entries from artists across 63 countries. Nichols was chosen for his 2025 oil-on-canvas portrait, In Our Borderlands, which is also among 51 portraits that have been chosen for an associated exhibition opening Friday.

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Thursday, Jun. 25, 2026

Movies

The beauty of the bleak

Ben Waldman 5 minute read Preview

The beauty of the bleak

Ben Waldman 5 minute read Wednesday, Jun. 24, 2026

Summer has officially begun, and the Dave Barber Cinematheque is ringing in the season with a seven-day festival full of despairing, shocking and unpleasant cinema.

Lead film programmer Olivia Norquay could hardly wait for Bleak Week.

Started in Los Angeles by the American Cinematheque in 2022, this year, the festival is expanding to 73 cities and nearly 100 theatres across the U.S., Canada, England, Scotland, Mexico, Uruguay, Argentina and Chile. Each venue then plots its own program of “uncompromising” films that “wholly embrace a cinema of despair in pursuit of unpleasant truths and raw empathy.”

Norquay — who selected 17 films from directors such as Béla Tarr (The Turin Horse), Agnès Varda (Vagabond), Michael Haneke (Funny Games) and Barbara Loden (Wanda) — says that even though this is the first year of participation for Winnipeg’s only downtown movie theatre, programming bleakness is nothing new at the Dave Barber Cinematheque.

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Wednesday, Jun. 24, 2026

The Arts

Epic performance

Holly Harris 5 minute read Preview

Epic performance

Holly Harris 5 minute read Friday, Jun. 19, 2026

War is hell. But it’s also, as playwrights Lisa Peterson and Denis O’Hare pointedly remind us in their stage adaptation of Homer’s The Iliad (translated by Robert Fagles), all too sadly predictable; bloodlust has run in the veins of humankind from time immemorial.

Shakespeare in the Ruins opened its 10-show run of An Iliad Thursday in the burned-out shell of the Ruins at Trappist Monastery Provincial Heritage Park, with the two-hour (including intermission) briskly paced production directed by Christopher Brauer. The show runs repertory style with this year’s mainstage offering, Shakespeare’s comedy As You Like It, through July 5.

For their contemporary spin on Homer’s 3,000-year-old epic poem (composed of 24 books), Peterson and O’Hare distil its key battles and characters to a whirlwind tour of duty that skips between antiquity and modern times. They also wisely tell their tale not in its original dactylic hexameter, but in modern vernacular laced with F-bombs, making the narrative more palatable to 21st-century sensibilities.

Kudos to SiR artistic director Rodrigo Beilfuss, head shorn and costumed in Rachel Baziuk’s ragtag overcoat and trousers, for undertaking the impressive, Herculean task of delivering an all-guns-blazing monologue as the Poet with nary a stumble.

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Friday, Jun. 19, 2026

Music

New artistic director brings spirit of adventure to opera job

Eva Wasney 4 minute read Preview

New artistic director brings spirit of adventure to opera job

Eva Wasney 4 minute read Thursday, Jun. 18, 2026

Manitoba Opera’s new artistic director is bringing his baton home.

The company announced the appointment of Gordon Gerrard, a Manitoba-born pianist and conductor, on Thursday following a year-long search. He will begin a five-year term in September, taking over from outgoing general director and CEO Larry Desrochers.

It’s a full-circle moment for Gerrard, 48, who grew up on a grain and cattle farm north of Brandon and saw his first opera, a Manitoba Opera production of Hansel and Gretel, at the Centennial Concert Hall as a University of Manitoba music student.

“Little did I know that a couple of decades later, I’d be leading the artistic side of the company,” Gerrard says over the phone, adding he’s excited to live closer to family and rediscover Winnipeg after years living elsewhere.

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Thursday, Jun. 18, 2026

The Arts

SiR’s production of An Iliad explores war, in Troy and beyond

Ben Waldman 5 minute read Preview

SiR’s production of An Iliad explores war, in Troy and beyond

Ben Waldman 5 minute read Thursday, Jun. 18, 2026

The Trappist Monastery Ruins are enlisted as the stand-in for a bedraggled Trojan battleground in An Iliad, the second production of Shakespeare in the Ruins’ 2026 season.

Director Christopher Brauer calls the St. Norbert heritage site — dusty, rugged and incomplete, a reflection of a majestic past fallen into disrepair — the perfect setting for the production’s lone survivor, a road-weary poet played by SiR artistic director Rodrigo Beilfuss, to grapple with tours of duty he might prefer to forget.

“He is not just a person who experienced the war in Troy, but he seems to somehow have been put on earth to travel from battle to battle and from war to war,” says Brauer, who directed Beilfuss in the 2022 Royal Manitoba Theatre Centre production of The Three Musketeers.

The director calls that literary adaptation of a sweeping, romantic epic a romp, where the “heroes are heroes and the villains are villainous.”

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Thursday, Jun. 18, 2026

The Arts

SNL writer isn’t afraid to make audiences laugh … and squirm

Aileen Goos 4 minute read Preview

SNL writer isn’t afraid to make audiences laugh … and squirm

Aileen Goos 4 minute read Thursday, Jun. 18, 2026

Calling from a North Carolina airport in a voice just above a whisper, Maddie Wiener sounds more like a thoughtful friend than a comedian whose act includes jokes about sex, depression, body image and questionable behaviour.

Beneath the soft-spoken delivery is a comedian who delights in making audiences squirm.

Whether onstage, in the writers’ room at Saturday Night Live or behind the microphone as co-host of the We’re Having Gay Sex podcast, Wiener has built a following by taking audiences to uncomfortable places and finding the laughs in what most people would rather leave unsaid.

“I do love a laugh that’s also a groan. Like, ‘Oh, I didn’t want to laugh at that, but that got me.’ That’s kind of my favourite button to push,” says Wiener, who makes her Rumor’s Comedy Club debut from today to Saturday.

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Thursday, Jun. 18, 2026

The Arts

Sisler program creating new generation of animators

Conrad Sweatman 5 minute read Preview

Sisler program creating new generation of animators

Conrad Sweatman 5 minute read Thursday, Jun. 11, 2026

The characters start as crude shapes and stand-ins, then take on form. Your Elsa, Miles Morales or Buzz Lightyear are born, but move only in key poses, like a picture book.

This is the layout and blocking stage of 3D and 2D digital animation’s pipeline, after storyboarding. Then comes the often most laborious phase: animation proper.

It starts with the “roughs,” where motion starts to connect poses. Now you can see Buzz and Woody take off on that rocket or that line of webbing spring from Miles Morales’s hand, but it looks a little like a flipbook.

From here animators work meticulously to create “spline passes” for fluidity. Little details still jut out — such as awkward movement arcs and timings — so more passes are made until only the smallest imperfections remain. Time for clean-up.

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Thursday, Jun. 11, 2026

The Arts

Yiddish fest highlights comfort of knish crafting

Ben Waldman 4 minute read Preview

Yiddish fest highlights comfort of knish crafting

Ben Waldman 4 minute read Wednesday, Jun. 10, 2026

For Sara Kasdan, the author of the mid-century ethnic best-seller Love and Knishes, the titular dough pocket was a pathway to everlasting romance via the stomach, assured to get the cook’s name into a man’s heart “faster … and stay longer.”

For Harriet Zaidman, the knish’s starting point — an opaque knob of dough to be stretched translucent-thin — is a doorway to a different kind of love, and a reminder of her family’s lasting immigrant roots.

“I’ve had all my life this vision of my baba taking that small knob and stretching it thinly across the table, draping down over the side. You could see the table through it,” says Zaidman, a Garden City-based author who has posted more than 450 recipes to her blog, North End Nosh, since 2017.

When she gets the dough and its fillings — usually potato or kasha (buckwheat) — ready, Zaidman can just about hear her baba Goldie knocking on her family’s Smithfield Avenue door with a weekly delivery of haimishe cooking.

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Wednesday, Jun. 10, 2026

The Arts

Winnipegger earns Tony for leading role in Broadway production of Ragtime

Ben Waldman 4 minute read Preview

Winnipegger earns Tony for leading role in Broadway production of Ragtime

Ben Waldman 4 minute read Tuesday, Jun. 9, 2026

Winnipeg’s Joshua Henry was on top of the musical theatre world Sunday at Radio City Music Hall, winning the Tony Award for best performance by an actor in a leading role for his performance in the Broadway revival of Ragtime.

Henry, whose family moved from Manitoba to Florida when he was a toddler, had previously been nominated for three of the top theatrical honours, given out annually in New York City since 1947.

“It is an honour to play this role — Coalhouse Walker, Jr. — a Black musician whose art led him to his love, and to his dream,” Henry said during his acceptance speech.

“And even in the face of pain and tragedy, he found a way to be heard. Every artist in this room, every artist at home, fight-fight-fight to be heard.”

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Tuesday, Jun. 9, 2026

The Arts

Pride of place

2 minute read Preview

Pride of place

2 minute read Saturday, Jun. 6, 2026

Staycation: The Art of Being Here features more than 100 Manitoba- related artworks from the Winnipeg Art Gallery-Qaumajuq collection, spanning the past 50 years. These pieces reveal how the places around us are layered with memory, story and lived experience.

Over the coming weeks, we’ll spotlight works from this eclectic exhibition, each one offering a new way of seeing home. Experience it in person and enjoy some staycation time at the gallery, on view until December.

Dee Barsy. My Four Grandmothers, 2017. Acrylic on gessoed birch panel. Collection of the Winnipeg Art Gallery; Acquired with funds from the Winnipeg Rh Foundation Inc., 2017-531. Photo: Serhii Gumenyuk. Artwork sponsored by Vic and Marlene Janzen.

My Four Grandmothers was commissioned for the 2017 WAG exhibition, INSURGENCE/RESURGENCE. Dee Barsy (Ojibwe) is a visual artist and a member of Skownan First Nation, Manitoba (Treaty 2). This vibrant painting depicts Barsy’s interconnected relationships between her four grandmothers, her adopted and biological kinships. Barsy uses contrasting and saturated colours to symbolize the diverse spirit of each of her grandmothers, shown in the four separated but intermingled entities. Within the reflection of these relationships, she reflects on ideas of grief, loss, death and reunification.

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Saturday, Jun. 6, 2026

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