Joy to the world of Pemberley

Holiday-themed sequel to Pride and Prejudice fills Santa's bag with charm

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One of the more startling historical details of Regency England, shown in the Royal MTC play Miss Bennet: Christmas at Pemberly, is a seasonal parlour game called "Snapdragon." A handful of raisins are placed in a bowl of brandy. The bowl is set aflame. The object of the game is to pluck a raisin out and pop it in your mouth while it is still afire.

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Hey there, time traveller!
This article was published 29/11/2019 (2452 days ago), so information in it may no longer be current.

One of the more startling historical details of Regency England, shown in the Royal MTC play Miss Bennet: Christmas at Pemberly, is a seasonal parlour game called “Snapdragon.” A handful of raisins are placed in a bowl of brandy. The bowl is set aflame. The object of the game is to pluck a raisin out and pop it in your mouth while it is still afire.

Children would play this game.

Suffice to say there is no such danger in this comedic sequel to Jane Austen’s Pride and Prejudice by contemporary American playwrights Lauren Gunderson and Margot Melcon. It’s safe, pretty and unfailingly amusing.

Arthur de Bourgh (Nathan Howe) and Mary Bennet (Ellen Denny) go a-courting while Mary's family discreetly observes. (Dylan Hewlett photo)
Arthur de Bourgh (Nathan Howe) and Mary Bennet (Ellen Denny) go a-courting while Mary's family discreetly observes. (Dylan Hewlett photo)

The past of Pride and Prejudice is prologue here. The former Miss Elizabeth Bennet (Samantha Hill) is happily married to Mr. Darcy (Eric Blais), residing in the warm splendour of the Pemberley estate. Joining them are Elizabeth’s elder pregnant sister Jane (Emily Meadows), likewise joyfully married to the doting Mr. Bingley (Darren Martens). Visiting for Christmas is the wild youngest sister Lydia Wickham (Tess Benger), a chronic flirt who insists to anyone who will listen that she has a joyful marriage to the absent cad and bounder Wickham.

And then there’s Mary (Ellen Denny), the middle sister whose pleasures are derived from losing herself in books or hammering away at the pianoforte, on an apparent mission to tame Beethoven. Mary expresses frustration at living with her parents with no prospects for the adventure and exploration she reads about in books.

A possible solution to that state arrives in the bumbling form of Arthur de Bourgh (Nathan Howe), an awkward academic who finds himself a man of property after the death of his aunt Lady Catherine de Bourgh, the Bennets’ snooty antagonist in P&P. The spirit of Lady Catherine returns however, in the person of her bitter-pill daughter Anne (Robyn Pooley), who arrives dressed in mourning clothes to throw everybody for a loop at the end of the first act with a shocking pre-intermission declaration.

Playwrights Gunderson and Melcon have fashioned the Austen source material into something more resembling an Oscar Wilde comedy of manners, with the absurdity dialed down and the romance dialed up.

It’s more challenging than it looks to deliver Austen-style dialogue with any kind of organic spontaneity, and most of the cast is up for that test. Denny holds the show’s centre as the fierce Mary, whose smarts and self-awareness make her a fine foil to Howe’s comparatively oblivious Lord Arthur. Howe’s skill at physical comedy is especially formidable and it helps to distinguish these destined soulmates. In terms of dynamics, Denny is like the sturdy maypole around which Howe hilariously dances/stumbles.

Miss Bennet: Christmas at Pemberley is a sequel to Jane Austen’s Pride and Prejudice by American playwrights Lauren Gunderson and Margot Melcon. (Dylan Hewlett)
Miss Bennet: Christmas at Pemberley is a sequel to Jane Austen’s Pride and Prejudice by American playwrights Lauren Gunderson and Margot Melcon. (Dylan Hewlett)

Director Krista Jackson helmed last year’s Royal MTC Austen offering Sense and Sensibility, which flaunted expectation with its airy, almost modernist set. Jackson commits to a more traditional show this time, staging the action on a high, wide and handsome single drawing room designed by Gillian Gallow. It’s centred on a technically anachronistic Christmas tree and with snow falling behind a vast back window overlooking the Pemberley estate.

Lacking the surprise of a Christmas cracker, Christmas at Pemberley dutifully delivers everything on the Christmas list.

Snapdragon notwithstanding, no theatregoers are going to come away feeling burnt.

randall.king@freepress.mb.ca

Twitter: @FreepKing

Actors
Lydia Wickham Tess Benger
Fitzwilliam Darcy Eric Blais
Mary Bennet Ellen Denny
Elizabeth Darcy Samantha Hill
Arthur de Bourgh Nathan Howe
Charles Bingley Darren Martens
Jane Bingley Emily Meadows
Anne de Bourgh Robyn Pooley
Artistic Team
Playwright Lauren Gunderson
Playwright Margot Melcon
Director Krista Jackson
Set & Costume Designer Gillian Gallow
Lighting Designer Scott Henderson
Sound Designer Michael Wright
Composer Paul De Gurse
Text & Dialect Coach Shannon Vickers
Assistant Director Cherissa Richards
Assistant Set Designer Shauna Jones
Stage Manager Chris Pearce
Assistant Stage Manager Angela Marshall
Apprentice Stage Manager Karen Sewell
Actors Lydia Wickham Tess Benger Fitzwilliam Darcy Eric Blais Mary Bennet Ellen Denny Elizabeth Darcy Samantha Hill Arthur de Bourgh Nathan Howe Charles Bingley Darren Martens Jane Bingley Emily Meadows Anne de Bourgh Robyn Pooley Artistic Team Playwright Lauren Gunderson Playwright Margot Melcon Director Krista Jackson Set & Costume Designer Gillian Gallow Lighting Designer Scott Henderson Sound Designer Michael Wright Composer Paul De Gurse Text & Dialect Coach Shannon Vickers Assistant Director Cherissa Richards Assistant Set Designer Shauna Jones Stage Manager Chris Pearce Assistant Stage Manager Angela Marshall Apprentice Stage Manager Karen Sewell
Randall King

Randall King
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In a way, Randall King was born into the entertainment beat.

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History

Updated on Saturday, November 30, 2019 9:36 AM CST: Correction: Lady Catherine de Bourgh is Arthur's aunt.

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