TV
A spectral spin on the culinary reality show
5 minute read Tuesday, May. 23, 2023The elevator pitch: local ghost-kitchen purveyors convene in a haunted house to have their cooking judged by a hungry spectre.
Oh, and there are also paranormal experts, familiar monsters and just a hint of bike theft.
It’s a deeply weird, multidimensional concept that a Winnipeg film production company has turned into a very real television series available now on Bell FibeTV.
Ghost Kitchens is a four-part reality cooking competition/supernatural history show created by Folks Films, a studio founded by siblings Laina and Taylor Brown. Pushing the bounds of possibility was a driving force behind the pair’s first foray into entertainment TV.
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Dysfunctional dynasty got ending it deserved
4 minute read Preview Yesterday at 9:22 AM CDTLast week we said our last goodbye to Succession, to its petty power plays, its unrelentingly nasty dialogue, its excellent knitwear. Buzzy and brilliant, the series was so caustically funny, so emotionally exhausting, so tonally tricky that no one could decide whether it was a Seinfeldian “comedy about nothing” or a tragedy of Shakespearean dimensions.
In its extraordinary, extended final episode, Succession somehow managed to be both.
The title, With Open Eyes, is a nod to a John Berryman poem that references eyes both open and sightless. It’s not just the characters who are blinded, though, their vision clouded by a desperate need for corporate power and paternal affirmation. The title might also be a warning to viewers, a hint that maybe we’ve been watching without always seeing.
Succession is a show that expertly manipulates expectations, and perhaps its best bait-and-switch has been to get us all obsessing over the issue of which deeply damaged, hugely unqualified Roy sibling would end up seizing control of the Waystar Royco empire.
Buffoonery blunders without any bite
5 minute read Preview Saturday, May. 13, 2023During Donald Trump’s scandal-swamped American presidency, political commentators — picking up a term coined by John Oliver – often referred to particularly dopey acts of corruption as “Stupid Watergate.”
White House Plumbers (now on Crave, with new episodes airing Mondays) is here to remind us that the original Watergate scandal was plenty stupid. If only the show itself were a little smarter.
Writers Peter Huyck and Alex Gregory and director David Mandel are all Veep alums, but this five-episode limited series seems to be missing the mordant bite of original Veep showrunner Armando Iannucci.
The show is intermittently entertaining but tonally wobbly. The real problem, though, is Plumbers’ oddly self-defeating form of satire. Sure, the Watergate conspirators were out to undermine democracy – “No names have been changed to protect the innocent, because nearly everyone was found guilty,” the show jokes in a disclaimer — but the story goes on to portray these political criminals as so comically bad at their jobs that any malign intentions are essentially rendered toothless.
Russell’s steely stagecraft drives diplomatic drama
4 minute read Preview Saturday, May. 6, 2023In The Americans, the always incredible Keri Russell played an impostor — a steel-eyed Soviet spy embedded in Reagan-era suburban America. In The Diplomat, a glossy, snappy political drama now streaming on Netflix, she’s dealing with impostor syndrome, which turns out to be just as tricky.
Russell plays Kate Wyler, an experienced member of the American foreign service who is competent, committed and dedicated but can’t stop thinking that the person you really want to talk to is her husband.
Called in to meet with U.S. President William Rayburn (played with a nice edge of eccentricity by Michael McKean), she initially believes the job they’re discussing — the U.K. ambassadorship — is meant for her husband, Hal (Rufus Sewell), a high-flying former ambassador who’s currently in disgrace. When they finally sort out it’s her they’re asking, Kate still views it as somehow Hal-related. “They don’t want me without Hal,” she explains later.
Kate, who had been expecting to do substantive work in a crisis-zone posting, instead finds herself taking on what she self-deprecatingly downplays as a ceremonial role, basically garden-party duty in “the land of hats,” as Hal calls it.
Behind the raw comic shtick, a well-worn recipe
5 minute read Preview Saturday, Apr. 29, 2023Wannabe erotic thriller fatally earnest and unintentionally silly
4 minute read Preview Saturday, Apr. 22, 2023Netflix UK recently sent out a Twitter notice regarding Obsession, its new series about a middle-aged Englishman who begins a catastrophic sexual affair with his son’s fiancée. “If you’ve made the (questionable) decision to watch Obsession with your parents, these are the moments you’ll probably want to excuse yourself,” it reads, and then lists the time codes for the show’s graphic but oddly forgettable sex scenes.
This is, of course, a gag about misguided intergenerational group watching. It’s also a sneaky way of reminding viewers there’s a ton of sex in this would-be erotic thriller.
Unfortunately, Obsession can’t quite decide whether it wants to be trashy, throwaway, sex-bomb fun or an urgent, important examination of upper-middle-class moral ennui. Consequently, this stilted saga of adultery, incest and all-round bad boundaries ends up being both self-serious and very silly, even when people’s clothes are on. Add in all that sex, and it becomes uncomfortably, unintentionally comic, playing like poor porn and worse drama.
The four-part series is adapted from Josephine Hart’s lurid literary novel Damage (1991), which was also made into a 1992 film by Louis Malle. Updated to present-day London, it features Richard Armitage as surgeon William Farrow, who shares a seemingly golden life with his wife, Ingrid (Indira Varma), a barrister from a prominent political family. Together they have two adult children, Sally (Sonera Angel) and Jay (Rish Shah). Jay has had a string of girlfriends but seems smitten with the latest, the enigmatic Anna Barton (Charlie Murphy).
Actor’s past bad behaviour feels like a betrayal
5 minute read Preview Wednesday, Apr. 19, 2023Lurching unpredictably into the void
5 minute read Preview Saturday, Apr. 15, 2023All in the (dysfunctional) family
4 minute read Preview Saturday, Mar. 25, 2023Embracing the darker side, Ted Lasso kicks back into gear
4 minute read Preview Saturday, Mar. 18, 2023Camaraderie captivates Levy’s vexed voyager
4 minute read Preview Saturday, Feb. 25, 2023One-of-a-kind Lyonne the real deal as throwback PI
5 minute read Preview Saturday, Feb. 11, 2023Last of Us proves a winning crossover combo
4 minute read Preview Saturday, Jan. 21, 2023The Last of Us, a best-selling 2013 videogame set against a post-apocalyptic landscape, is now a nine-episode HBO series (on Crave, Sundays at 8 p.m.).
Holiday TV fare now includes Bacon to go with usual cheese
4 minute read Preview Saturday, Dec. 17, 2022Streaming services offer up seasonal episodes aplenty to get your holiday fix
7 minute read Preview Saturday, Dec. 17, 2022Noah Centineo moves away from rom-coms with ‘The Recruit’
4 minute read Preview Friday, Dec. 16, 2022CBC and HBO Max renew TV comedy ‘Sort Of’ for third season
1 minute read Preview Friday, Dec. 16, 2022UK royals keep calm, carry on after Harry and Meghan series
4 minute read Preview Friday, Dec. 16, 2022It’s beginning to look a lot like a Hallmark movie
4 minute read Preview Thursday, Dec. 15, 2022‘New Year’s Rockin’ Eve’ to feature Duran Duran, New Edition
2 minute read Preview Thursday, Dec. 15, 2022AP Breakthrough Entertainer: Daryl McCormack’s grand year
5 minute read Preview Friday, Dec. 16, 2022‘Beauty and the Beast’ TV special fetes 30th anniversary
5 minute read Preview Wednesday, Dec. 14, 2022France, England World Cup quarterfinal viewed by 13.5M in US
1 minute read Preview Wednesday, Dec. 14, 2022Stephen ‘tWitch’ Boss, ‘Ellen’ show’s dancing DJ, dies at 40
3 minute read Preview Wednesday, Dec. 14, 2022‘Break Point,’ Netflix’s ‘Drive’ for tennis, debuts Jan. 13
4 minute read Preview Wednesday, Dec. 14, 2022LOAD MORE