Book Review: ‘Open Socrates’ shows why philosophy isn’t a spectator sport

Matthew Kress

Detox centre ready but staffing challenges persist

Peter McMullen’s decade-long struggle with addiction gives him insight into the challenges Lighthouse Mission hopes to address with a new Main Street detox facility focused on connecting people with longer-term treatment.

McMullen, executive director of Lighthouse Mission, knows how difficult it can be to navigate Winnipeg’s addiction treatment system, particularly when someone is ready to seek help but the services they need aren’t immediately available.

Now, after years of planning and a lengthy renovation of two century-old buildings, the downtown organization is preparing to open a 10-bed detox facility at 667 and 669 Main St., with five beds each for men and women.

The facility could begin accepting clients as early as November, provided Lighthouse Mission can overcome one final hurdle: recruiting enough staff to operate it.

Brilliant legacy

With impressionism, things can look messy when you’re eyeing the brush strikes up close. Stand back, voila, the piece comes into focus.

But with photomosaics, an image made up of hundreds of smaller photos, it’s the opposite. The closer you stand, the more images you see.

In the era of AI art, it’s all too easy to fire off a kitschy digital photomosaic. The internet is littered with mindless renderings showing, say, an image of the Statue of Liberty made up of a thousand Big Macs.

It’s another and rare thing to build a photomosaic by hand, with a genuine artist’s grasp of the form’s strange double life. This is what, for the past eight years or so, a collaborative team — in particular Edmonton-based creator and curator Larisa Sembaliuk Cheladyn, sculptor Royden Mills, Theodora Harasymiw and a group of volunteers — did for Ukrainian Voice: A Legacy Mosaic, one of four new exhibitions at the Oseredok: Ukrainian Cultural and Education Centre.

Dawson Armstrong